“I ask no more from mortals
Than your beautiful face implies,—
The beauty the artist beholding
Interprets and sanctifies.
Who says that men have fallen,
That life is wretched and rough?
I say, the world is lovely,
And that loveliness is enough.”
Artist and Model.
Context: I ask no more from mortals
Than your beautiful face implies,—
The beauty the artist beholding
Interprets and sanctifies.
Who says that men have fallen,
That life is wretched and rough?
I say, the world is lovely,
And that loveliness is enough.
So my doubting days are ended,
And the labour of life seems clear;
And life hums deeply around me,
Just like the murmur here,
And quickens the sense of living,
And shapes me for peace and storm,—
And dims my eyes with gladness
When it glides into colour and form!
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Robert Williams Buchanan 18
Scottish poet, novelist and dramatist 1841–1901Related quotes

“Ask any girl what she'd rather be than beautiful, and she'll say more beautiful.”
Quoted in Susan Horowitz: "Queens of comedy: Lucille Ball, Phyllis Diller, Carol Burnett, Joan Rivers" p. 128 http://books.google.co.uk/books?id=X77jSHAkKnMC&pg=PA128&lpg=PA128&dq=%22Ask+any+girl+what+she'd+rather+be+than+beautiful,+and+she'll+say+more+beautiful.%22&source=bl&ots=AzUsYOZJ2m&sig=QQAYhtyJb5NBPdpOSJdI_ZlKmLc&hl=en&sa=X&ei=2U8sT9rgAeaj0QXH-tysCA&ved=0CCEQ6AEwAA#v=onepage&q=%22Ask%20any%20girl%20what%20she'd%20rather%20be%20than%20beautiful%2C%20and%20she'll%20say%20more%20beautiful.%22&f=false

Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona

Changes, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Looking for an Honest Man (2009)
Context: With his attractive picture of human flourishing, Aristotle offers lasting refuge against the seas of moral relativism. Taking us on a tour of the museum of the virtues — from courage and moderation, through liberality, magnificence, greatness of soul, ambition, and gentleness, to the social virtues of friendliness, truthfulness, and wit — and displaying each of their portraits as a mean between two corresponding vices, Aristotle gives us direct and immediate experience in seeing the humanly beautiful. Anyone who cannot see that courage is more beautiful than cowardice or rashness, or that liberality is more beautiful than miserliness or prodigality, suffers, one might say, from the moral equivalent of color-blindness.