“The imagination is always restless and suggests a variety of thoughts, and the will, reason being laid aside, is ready for every extravagant project”

[4] Symbol, 4.4 : The symbolic mode, 4.4.4 : The Kabalistic drift
Semiotics and the Philosophy of Language (1984)
Context: Scholem … says that Jewish mystics have always tried to project their own thought into the biblical texts; as a matter of fact, every unexpressible reading of a symbolic machinery depends on such a projective attitude. In the reading of the Holy Text according to the symbolic mode, "letters and names are not conventional means of communication. They are far more. Each one of them represents a concentration of energy and expresses a wealth of meaning which cannot be translated, or not fully at least, into human language" [On the Kabbalah and Its Symbolism (1960); Eng. tr., p. 36]. For the Kabalist, the fact that God expresses Himself, even though His utterances are beyond any human insight, is more important than any specific and coded meaning His words can convey.
The Zohar says that "in any word shine a thousand lights" (3.202a). The unlimitedness of the sense of a text is due to the free combinations of its signifiers, which in that text are linked together as they are only accidentally but which could be combined differently.

A imaginação foi a companheira de toda a minha existência, viva, rápida, inquieta, alguma vez tímida e amiga de empacar, as mais delas capaz de engolir campanhas e campanhas, correndo.
Source: Dom Casmurro (1899), Ch. 40, p. 98.

Epistle to the Reader.
The Compleat Angler (1653-1655)

Source: A Mother's Advice to Her Son, 1726, p. 170

Nan Yar = Who am I?

Quoted, This Side of Paradise (1920)
Context: I simply state that I'm a product of a versatile mind in a restless generation — with every reason to throw my mind and pen in with the radicals. Even if, deep in my heart, I thought we were all blind atoms in a world as limited as a stroke of a pendulum, I and my sort would struggle against tradition; try, at least, to displace old cants with new ones. I've thought I was right about life at various times, but faith is difficult. One thing I know. If living isn't seeking for the grail it may be a damned amusing game.

Cate Blanchett takes on Blanche DuBois in A Streetcar Named Desire, Monsters and Critics, 6 February 2013 http://www.monstersandcritics.com/cate-blanchett-takes-on-blanche-dubois-in-a-streetcar-named-desire/,

As quoted in "Parasite Star Park So-dam on Life Since the Oscars and New Korean Drama Record of Youth" in Time Magazine (16 September 2020) https://time.com/5889002/park-sodam-parasite-record-of-youth-interview/

A Week on the Concord and Merrimack Rivers http://www.gutenberg.org/dirs/etext03/7cncd10.txt (1849), Sunday
Context: The hidden significance of these fables which is sometimes thought to have been detected, the ethics running parallel to the poetry and history, are not so remarkable as the readiness with which they may be made to express a variety of truths. As if they were the skeletons of still older and more universal truths than any whose flesh and blood they are for the time made to wear. It is like striving to make the sun, or the wind, or the sea symbols to signify exclusively the particular thoughts of our day. But what signifies it? In the mythus a superhuman intelligence uses the unconscious thoughts and dreams of men as its hieroglyphics to address men unborn. In the history of the human mind, these glowing and ruddy fables precede the noonday thoughts of men, as Aurora the sun's rays. The matutine intellect of the poet, keeping in advance of the glare of philosophy, always dwells in this auroral atmosphere.