“Music is the tonal analogue of emotive life.”
Feeling and Form, ch. 1, p. 27, Scribner (1953)
Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 28
Context: Religion isn't invented by man. Men are invented by religion. Men invent responses to Quality, and among these responses is an understanding of what they themselves are. You know something and then the Quality stimulus hits and then you try to define the Quality stimulus, but to define it all you've got to work with is what you know. So your definition is made up of what you know. It's an analogue to what you already know. It has to be. It can't be anything else. And the mythos grows this way. By analogies to what is known before. The mythos is a building of analogues upon analogues upon analogues. These fill the collective consciousness of all communicating mankind. Every last bit of it. The Quality is the track that directs the train. What is outside the train, to either side—that is the terra incognita of the insane. He knew that to understand Quality he would have to leave the mythos. That's why he felt that slippage. He knew something was about to happen.
“Music is the tonal analogue of emotive life.”
Feeling and Form, ch. 1, p. 27, Scribner (1953)
"Brave New Biocracy: Health Care from Womb to Tomb" NPQ: New Perspectives Quarterly, Vol. 11, Issue 1 (Winter 1994) http://brandon.multics.org/library/Ivan%20Illich/against_life.html.
Context: Homo economicus was surreptitiously taken as the emblem and analogue for all living beings. A mechanistic anthropomorphism has gained currency. Bacteria are imagined to mimic "economic" behavior and to engage in internecine competition for the scarce oxygen available in their environment. A cosmic struggle among ever more complex forms of life has become the anthropic foundational myth of the scientific age.
"Mathematical Games", in Scientific American (October 1973); also quoted in Roger B. Nelson, Proofs Without Words: Exercises in Visual Thinking (1993), "Introduction", p. v
Source: The Fascist Persuasion in Radical Politics, (1974), p. 134
"Tires to Sandals", p. 318
Eight Little Piggies (1993)