
i.e. still, vegetative, and animate
Introduction to the Book of Zohar, in Introduction to the Book of Zohar: Volume Two, Michael Laitman, ed., Laitman Kabbalah Publishers, 2005, p. 94.
Introduction to the Book of Zohar
As quoted in Cosmopolitan (December 1892).
Context: A so-called magician, more than a poet, must be born with a peculiar aptitude for the calling. He must first of all possess a mind of contrarieties, quick to grasp the possibilities of seemingly producing the most opposite effects from the most natural causes. He must be original and quick-witted, never to be taken unawares. He must possess, in no small degree, a knowledge of the exact sciences, and he must spend a lifetime in practice, for in the profession its emoluments come very slowly. All this is discouraging enough, but this is not all. The magician must expect the exposure of his tricks sooner or later, and see what it has required long months of study and time to perfect dissolved in an hour. The very best illusions of the best magicians of a few years ago are now the common property of traveling showmen at country fairs. I might instance the mirror illusions of Houdin; the cabinet trick of the Davenport Brothers, and the second sight of Heller — all the baffling puzzles of the days in which the respective magicians mentioned lived. All this is not a pleasant prospective picture for the aspirant for the honors of the magician.
i.e. still, vegetative, and animate
Introduction to the Book of Zohar, in Introduction to the Book of Zohar: Volume Two, Michael Laitman, ed., Laitman Kabbalah Publishers, 2005, p. 94.
Introduction to the Book of Zohar
Sovereign Maxims
Context: It is impossible to live a pleasant life without living wisely and honorably and justly, and it is impossible to live wisely and honorably and justly without living pleasantly. Whenever any one of these is lacking, when, for instance, the man is not able to live wisely, though he lives honorably and justly, it is impossible for him to live a pleasant life. (5)
Source: A Theory of Justice (1971; 1975; 1999), Chapter II, Section 12, pg. 73
Source: Practical Pictorial Photography, 1898, How expression may be given to a picture, p. 33
2009, Nobel Prize acceptance speech (December 2009)
Context: I receive this honor with deep gratitude and great humility. It is an award that speaks to our highest aspirations — that for all the cruelty and hardship of our world, we are not mere prisoners of fate. Our actions matter, and can bend history in the direction of justice.
And yet I would be remiss if I did not acknowledge the considerable controversy that your generous decision has generated. In part, this is because I am at the beginning, and not the end, of my labors on the world stage. Compared to some of the giants of history who've received this prize — Schweitzer and King; Marshall and Mandela — my accomplishments are slight. And then there are the men and women around the world who have been jailed and beaten in the pursuit of justice; those who toil in humanitarian organizations to relieve suffering; the unrecognized millions whose quiet acts of courage and compassion inspire even the most hardened cynics. I cannot argue with those who find these men and women — some known, some obscure to all but those they help — to be far more deserving of this honor than I.
But perhaps the most profound issue surrounding my receipt of this prize is the fact that I am the Commander-in-Chief of the military of a nation in the midst of two wars. One of these wars is winding down. The other is a conflict that America did not seek; one in which we are joined by 42 other countries — including Norway — in an effort to defend ourselves and all nations from further attacks.
Still, we are at war, and I'm responsible for the deployment of thousands of young Americans to battle in a distant land. Some will kill, and some will be killed. And so I come here with an acute sense of the costs of armed conflict — filled with difficult questions about the relationship between war and peace, and our effort to replace one with the other.
Source: End Zone (1972), Ch. 16
Context: Of course the humanistic mind crumbles at the whole idea. It's the most hideous thing in the world to these people that such ideas even have to be mentioned. But the thing won't go away. The thing is here and you have to face it. The prospect of a humane war may be hideous and all the other names you can think of, but it's still a prospect. And as an alternative to all the other things that could happen in the event of war, it's relatively acceptable.
“If you are worried about the prospect of war in Europe - we do not want that at all.”
"Lavrov Says Russia Does Not Want War in Europe" https://www.usnews.com/news/world/articles/2022-05-11/lavrov-says-russia-does-not-want-war-in-europe, US News/Reuters, 11 May 2022
About the Russian invasion of Ukraine 2022
Source: Growing Up Absurd (1956), pp. 150-151.
Quote from his letter, 23 Nov 1906, to E.D. Libbey in Toledo (TMA); as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 306
E.D. Libbey was one of the initiators of the Toledo-museum; the watercolor was in his private collection till 1925
Quotes of Jozef Israels, after 1900