“When a culture is being dumbed down as effectively as ours is, its narrative arts (literature, film, theatre) seem to vacillate between the brutal and the bland, sometimes in the same work.”

— Tom Robbins

The Syntax of Sorcery (2012)
Context: Certain individual words do possess more pitch, more radiance, more shazam! than others, but it's the way words are juxtaposed with other words in a phrase or sentence that can create magic. Perhaps literally. The word "grammar," like its sister word "glamour," is actually derived from an old Scottish word that meant "sorcery." When we were made to diagram sentences in high school, we were unwittingly being instructed in syntax sorcery, in wizardry. We were all enrolled at Hogwarts. Who knew?
When a culture is being dumbed down as effectively as ours is, its narrative arts (literature, film, theatre) seem to vacillate between the brutal and the bland, sometimes in the same work. The pervasive brutality in current fiction – the death, disease, dysfunction, depression, dismemberment, drug addiction, dementia, and dreary little dramas of domestic discord – is an obvious example of how language in exploitative, cynical or simply neurotic hands can add to the weariness, the darkness in the world. Less apparent is that bland writing — timid, antiseptic, vanilla writing – is nearly as unhealthy as the brutal and dark. Instead of sipping, say, elixir, nectar, tequila, or champagne, the reader is invited to slurp lumpy milk or choke on the author's dust bunnies.

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Tom Robbins 250

American writer 1932

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“A sense of art mixes with our modern piety. We are apt to admire the evangelical reticence for its dignity,[…] we are apt to respect the Scripture narratives with their few intense details, their close events and their great omissions alike, for their simplicity, and—it is to be feared that our literature leads us so far—for their "effect."”

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Jean-Luc Godard (1930) French-Swiss film director, screenwriter and film critic

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“I can count on one of my hands, how many competent people are working in the [Hungarian] media today. But the situation is also woeful in the areas of theatre, film production and fine arts. The whole Hungarian culture is in a deep crisis, the putrescence reigning this country – in a cultural, economic, political, moral and mentalecological sense – consumes everything.”

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Egy kezemen meg tudom számolni, hány alkalmas ember dolgozik ma a médiában. De siralmas a helyzet a színház, a filmgyártás és a képzőművészet területén is. Az egész magyar kultúra mélységes válságban van, a rothadás, ami uralja az országot – kulturálisan, gazdaságilag, politikailag, etikailag és mentálökológiailag – mindent elemésztő.
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“The culture of a civilization is the art and literature through which it rises to consciousness of itself and defines its vision of the world.”

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“[Director James] Cameron manhandles the real story, scavenging it for his own puny narrative purposes. It's a film made with boorish confidence and zero sensitivity, big and dumb and hulking.”

Stephanie Zacharek (1963) American film critic

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“It’s better to be typecast than not cast. When I worked in theatre I played all sorts of roles, everything was open to me- and when working in TV and film initially too.”

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“A public that tries to do without criticism, and asserts that it knows what it wants or likes, brutalizes the arts and loses its cultural memory.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

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“It is always understood as an expression of condemnation when anything in Literature or Art is said to be done for effect; and yet to produce an effect is the aim and end of both.”

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Cate Blanchett (1969) Australian actress

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“In this book I am concerned with certain kinds of communication: communication between parents and children, between associates of the same status, between members of different societies and, through the mediation of various kinds of coding—tools, art, script, formulas, film—between cultures distant from each other in time and place. I shall be concerned to show that we must deal not only with evolutionary sequences, in which our ability to articulate and codify parts of the culture enormously increases our ability to intervene in the cultural process, but also with the coexistence at any period of history of earlier forms of communication side by side with later ones.”

Margaret Mead (1901–1978) American anthropologist

Source: 1960s, Continuities in Cultural Evolution (1964), p. xxxi

“When a culture is being dumbed down as effectively as ours is, its narrative arts (literature, film, theatre) seem to vacillate between the brutal and the bland, sometimes in the same work.”

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Tom Robbins 250

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