“Conan represented the ability to escape briefly from black reality that Howard wished he could emulate.”

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Context: "Howard takes great care to develop mood and atmosphere in his best stories, and in so doing makes the reader feel the dark, desperate undercurrent of his character's schemes and struggles. It is in this that I feel closest to Howard, and it is something that his conscious imitators have never captured. The disparity of writing styles aside, the mood immediately sets pastiche-Howard apart from the real article. Pseudo-Conan is out having just the best time, 'cause he's the biggest, toughest, mightiest-thewed barbarian on the block, and he's gonna have a swell time of brawling and chopping monsters and rescuing princesses and offing wizards and drinking and brawling and … and... etc... etc.... But in Howard's fiction the underlying black mood of pessimism is always there, and even Conan, who enjoys a binge or a good fight, is not having a good time of it at all. This is particularly true of Solomon Kane and King Kull-driven men whom not even a desperate battle can exorcise their black mood, while Conan at times can find brief surcease in excesses of pleasure or violence. I think Solomon Kane and King Kull were closer to Howard's true mood, while Conan represented the ability to escape briefly from black reality that Howard wished he could emulate. He failed. Of all Howard's characters I most prefer King Kull, and it is Kull who is closest to my own Kane..." ~ Karl Edward Wagner, Midnight Sun, "The Once and Future Kane", 2007, (First published in REH: Lone Star Fictioneer #1, Spring 1975)