
Arnold Schoenberg, (1946); as quoted in A Schoenberg reader - Documents of a life, edited by Joseph Auner, Yale University Press 2003, page 316-17
1940s
Source: What Time's the Next Swan? (1962), Ch. 1, p. 3
Context: In that wonderful musical show Knickerbocker Holiday Maxwell Anderson defined the outstanding characteristics of an American as "one who refuses to take orders!"
I think that I qualified for that, my chosen nationality, at an early age. As far back as I can remember, an expressly given order triggered instant defiance. My little mind started functioning like an IBM machine; signals flashed in my resistance center, lights flickered around my resentment glands, bell and buzzer alerted all the cunning of a five-year-old.
Strategy and tactics went to work, not to rest till they had circumvented or defied that specific order.
I don't know if that character trait was deplorable or laudable; I only know that I have never been able to lose it. And I am extremely grateful that I was too young to serve in the First World War and too old for the Second; I surely would have been court-martialed for insubordination, and expired in front of a firing squad.
Even today, at my ripe old age, if someone suggests I do something and this suggestion is tinged with an excessive amount of authority, I immediately turn into a bristling fortress of resistance.
Arnold Schoenberg, (1946); as quoted in A Schoenberg reader - Documents of a life, edited by Joseph Auner, Yale University Press 2003, page 316-17
1940s
“I don't think that modesty is the outstanding characteristic of contemporary politics, do you?”
Comment in the Commons, December, 1988.
Post-Prime Ministerial
In "The Way I Look at Race" https://sinatrafamily.com/forum/showthread.php/46953-Frank-Sinatra-on-Racism by Sinatra (as told to Allan Morrison), in Ebony (July 1958)
Context: In terms of my singing I have sometimes been asked how it all began, and it’s usually been a little hard for me to set the story down in any continuous narrative. From the days of my childhood I’ve been listening to sounds and singers, both colored and white, and absorbing a little bit here and a little bit there. Countless musicians of talent have helped. But it is Billie Holiday, whom I first heard in 52nd Street clubs in the early 1930s, who was and still remains the single greatest musical influence on me. It has been a warm and wonderful influence and I am very proud to acknowledge it. Lady Day is unquestionably the most important influence on American popular singing in the last 20 years. With a few exceptions, every major pop singer in the U. S., during her generation has been touched in some way by her genius.
As quoted in "The Doyenne of the Drawing Room" in The New York Times (23 August 1981) http://www.nytimes.com/1981/08/23/books/the-doyenne-of-the-drawing-room.html?sec=&pagewanted=all.
John Williams, conductor laureate, Boston Pops Orchestra, Leroy Anderson Square Dedication, Cambridge, Massachusetts, July 17, 2003.
Source: http://news.harvard.edu/gazette/2003/07.17/12-anderson.html
David C. McClelland (1998) in: Katherine Adams, "Interview by David C. McClelland , in Competency, vol. 4 no.3, Spring 1997, pp.18–23; Republished in orientamento.it http://www.orientamento.it/indice/interview-with-mcclelland/, 19/11/2015
100 Years of Mathematics: a Personal Viewpoint (1981)
To Leon Goldensohn (27 May 1946)
The Nuremberg Interviews (2004)
“I don't think that American audiences would accept the tonal character of my music.”
As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)