
Original: (it) Quando l'intelletto si fonde con esperienza, creatività, cultura e curiosità, forma una persona di un altro livello.
Source: prevale.net
Source: Anarcho-Syndicalism (1938), Ch. 1 "Anarchism: Its Aims and Purposes"
Context: Every culture, if its natural development is not too much affected by political restrictions, experiences a perpetual renewal of the formative urge, and out of that comes an ever growing diversity of creative activity. Every successful piece of work stirs the desire for greater perfection and deeper inspiration; each new form becomes the herald of new possibilities of development.
Original: (it) Quando l'intelletto si fonde con esperienza, creatività, cultura e curiosità, forma una persona di un altro livello.
Source: prevale.net
Source: False Necessityː Anti-Necessitarian Social Theory in the Service of Radical Democracy (1987), p. 467
Tertium Organum (1922)
Context: Generally speaking, the significance of the indirect results may very often be of more importance than the significance of direct ones. And since we are able to trace how the energy of love transforms itself into instincts, ideas, creative forces on different planes of life; into symbols of art, song, music, poetry; so can we easily imagine how the same energy may transform itself into a higher order of intuition, into a higher consciousness which will reveal to us a marvelous and mysterious world.
In all living nature (and perhaps also in that which we consider as dead) love is the motive force which drives the creative activity in the most diverse directions.
Source: The Masters and the Path (1925), Ch. 1
Source: Reflections on the Human Condition (1973), p. 62
Essays on Woman (1996), Problems of Women's Education (1932)
The Mask of Apollo (1966)
Context: Christianity and Islam have changed irrevocably the moral reflexes of the world. The philosopher Herakleitos said with profound truth that you cannot step twice into the same river. The perpetual stream of human nature is formed into ever-changing shallows, eddies, falls and pools by the land over which it passes. Perhaps the only real value of history lies in considering this endlessly varied play between the essence and the accidents.
Source: Love and Will (1969), p. 123
Context: The daimonic is is obviously not an an entity but refers to a fundamental, archetypal function of human experience — an existential reality in modern man, and, as far as we know, in all men.
The daimonic is the urge in every being to affirm itself, assert itself, perpetuate and increase itself. The daimonic becomes evil when it usurps the total self without regard to the integration of that self, or to the unique forms and desires of others and their need for integration. It then appears in excessive aggression, hostility, cruelty — the things about ourselves which horrify us most, and which we repress whenever we can or, more likely, project on others. But these are the reverse side of the same assertion which empowers our creativity. All life is a flux between these two aspects of the daimonic. We can repress the daimonic, but we cannot avoid the toll of apathy and the tendency toward later explosion which such repression brings in its wake.
As quoted in: Richtingen in de hedendaagsche schilderkunst (Trends in the Present Day Art of Painting), Jacob Bendien - W.L. & J Brusse, Rotterdam,1936, p. 100 (transl. Anne Porcelijn)
1910 - 1920
Source: No Future: Queer Theory and the Death Drive (2004), p. 4