
Source: Writings: The Suppression of the African Slave-Trade / The Souls of Black Folk / Dusk of Dawn / Essays
Mont Saint Michel and Chartres (1904)
Context: First comes the central door-way, and above it is the glory of Christ, as the church at Chartres understood Christ in the year 1150; for the glories of Christ were many, and the Chartres Christ is one. Whatever Christ may have been at other churches, here, on this portal, he offers himself to his flock as the herald of salvation alone. Among all the imagery of these three door-ways, there is no hint of fear, punishment or damnation, and this is the note of the whole time. Before 1200, the Church seems not to have felt the need of appealing habitually to terror; the promise of hope and happiness was enough.
Source: Writings: The Suppression of the African Slave-Trade / The Souls of Black Folk / Dusk of Dawn / Essays
quoted in Warren Roberts (2000). Jacques-Louis David and Jean-Louis Prieur, Revolutionary. p. 321.
Source: A Wild Sheep Chase: A Novel (1982), Chapter 7: Before the Strange Man
Source: The Bourgeois: Catholicism vs. Capitalism in Eighteenth-Century France (1927), p. 25
“Terror in the house does roar,
But Pity stands before the door.”
Terror in the House
1800s, Poems from Blake's Notebook (c. 1804)
In another of his speeches on Indian tradition quoted in "Jayachamaraja Wodeyar – A Princely scholar".
Lives of the Poets : The Story of One Thousand Years of English and American Poetry (1959) by Louis Untermeyer
1950s
A History of the Work of Redemption including a View of Church History (1839).