“Shaw's emotional development was one with his intellectual strength.”

— Jacques Barzun

Source: Bernard Shaw in Twilight (1943), II
Context: Shaw's emotional development was one with his intellectual strength. His path led him into the thick of the scrimmage, where more spontaneous natures defend themselves with the usual weapons of malice, humility, bad temper or conceit. But Shaw used the death ray of imperturbability. His feelings were never hurt, his envy never aroused, his conceit was a transparent fiction, he never quarreled.

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Shaw's emotional development was one with his intellectual strength." by Jacques Barzun?

Jacques Barzun photo

Jacques Barzun 46

Historian 1907–2012

Related quotes

“The personal commitment of a man to his skill, the intellectual commitment and the emotional commitment working together as one, has made the Ascent of Man.”

Jacob Bronowski The Ascent of Man

Sourced to the book, The Ascent of Man (1973), BBC Books: London, Chapter 13: The Long Childhood, p. 330.
The Ascent of Man (1973)
Context: We are all afraid - for our confidence, for the future, for the world. That is the nature of the human imagination. Yet every man, every civilization, has gone forward because of its engagement with what it has set itself to do. The personal commitment of a man to his skill, the intellectual commitment and the emotional commitment working together as one, has made the Ascent of Man.

“Sentiment is intellectualized emotion, — emotion precipitated, as it were, in pretty crystals by the fancy.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

Literary Essays, vol. II (1870–1890), Rousseau and the Sentimentalists

“That proves it's not by Shaw, because all Shaw's characters are himself: mere puppets stuck up to spout Shaw.”

George Bernard Shaw Fanny's First Play

Fanny's First Play, Epilogue
1910s

“Psychohistory, like psychoanalysis, is a science in which the researcher's feelings are as much or even more a part of his research equipment than his eyes or his hands. […] Weighing of complex motives can only be accomplished by identification with human actors, the usual suppression of all feeling preached and followed by most "science" simply cripples a psychohistorian as badly as it would cripple a biologist to be forbidden the use of a microscope. The emotional development of a psychohistorian is therefore as much a topic for discussion as his or her intellectual development.”

Lloyd deMause (1931) American thinker

Source: Foundations of Psychohistory (1982), Ch. 2, p. 100.

“Shaw's plays are the price we pay for Shaw’s prefaces.”

James Agate (1877–1947) British diarist and critic

Ego, p. 276, March 10, 1933.

“You can't have thought without emotion, and one emotion is fear, and making an important decision on the basis of fear is not a good idea. So develop your courage.”

Ursula Goodenough (1943) American biologist

Uncommon Knowledge (2005)

“Image…that which presents an intellectual and emotional complex in an instant of time.”

Ezra Pound (1885–1972) American Imagist poet and critic

"Poetry: A Few Don'ts by an Imagist", Poetry: A Magazine of Verse (March 1913)

“While there is no definitive formula for success and winning, there exists a deliberative mindset, confidence and emotional strength. For one must believe they are a champion before they can become one.”

Gandolfo – (RJ Intindola)

2015

“As a teacher, as a propagandist, Shaw is no good at all, even in his own generation. But as a personality, he is immortal.”

Max Beerbohm (1872–1956) English writer

Around Theatres, “A Cursory Conspectus of G.B.S” (1924)

“Sibelius has an acutely developed sense of identification with nature and a preoccupation with myth that at one and the same time define his unique strength and his basic limitation. These preoccupations override his involvement in the human predicament, except in so far as it affects man’s relationship with nature.”

Jean Sibelius (1865–1957) Finnish composer of the late Romantic period

Robert Layton Sibelius (London: J. M. Dent, [1965] 1971), ch. 16, p. 153.
Criticism

Related topics