
On the Condition of Modern Art, lecture (1867).
As quoted in "Mansfield Park and Film : An Interview with Patricia Rozema" by Hiba Moussa, in Literature/Film Quarterly 32, No. 4 (2004), p. 255
Context: You cannot underestimate what a radical thing it is to change from one art form to another. An author slaves to start with just the right word, phrase, sentence, and paragraph. The sounds of the words are crucial. But all the demands of words and prose are lifted when you make a movie. The physical presence makes many unnecessary and some necessary ones impossible. So you serve two masters as an adapting filmmaker: the author's intention and the needs of film. Sometimes "fidelity" can mean only focusing on one day of a story told over twenty years in a book.
On the Condition of Modern Art, lecture (1867).
Speech to Conservative Women's Conference (25 May 1988) http://www.margaretthatcher.org/document/107248
Third term as Prime Minister
“Never again shall a single story be told as though it were the only one.”
Source: The Greening of America (1970), Chapter XI : Revolution By Consciousness, p. 301
Source: Postscript to the Name of the Rose
C. S. Lewis, English Literature in the Sixteenth Century, Excluding Drama (Oxford: Oxford University Press, 1954), p. 90.
About
“Twenty years of schoolin'
And they put you on the day shift”
Song lyrics, Bringing It All Back Home (1965), Subterranean Homesick Blues