“A public that tries to do without criticism, and asserts that it knows what it wants or likes, brutalizes the arts and loses its cultural memory.”
"Quotes", Anatomy of Criticism: Four Essays (1957), Polemical Introduction
Context: A public that tries to do without criticism, and asserts that it knows what it wants or likes, brutalizes the arts and loses its cultural memory. Art for art's sake is a retreat from criticism which ends in an impoverishment of civilized life itself.
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Northrop Frye 137
Canadian literary critic and literary theorist 1912–1991Related quotes
Wall and Piece (2007)

“Life without industry is guilt, and industry without art is brutality.”
Lecture III
Lectures on Art (1870)
“Life without labor is crime, and labor without art is brutality.”
Said in 1914 during an exhibit at Allen Chapel in Indianapolis; cited in William Edward Taylor, Harriet Garcia Warkel and Margaret Taylor Burroughs, A Shared Heritage, Indianapolis Museum of Art
Cf. John Ruskin: "Life without industry is guilt, and industry without art is brutality," from Lectures on Art (1870), lecture III

The Syntax of Sorcery (2012)
Context: Certain individual words do possess more pitch, more radiance, more shazam! than others, but it's the way words are juxtaposed with other words in a phrase or sentence that can create magic. Perhaps literally. The word "grammar," like its sister word "glamour," is actually derived from an old Scottish word that meant "sorcery." When we were made to diagram sentences in high school, we were unwittingly being instructed in syntax sorcery, in wizardry. We were all enrolled at Hogwarts. Who knew?
When a culture is being dumbed down as effectively as ours is, its narrative arts (literature, film, theatre) seem to vacillate between the brutal and the bland, sometimes in the same work. The pervasive brutality in current fiction – the death, disease, dysfunction, depression, dismemberment, drug addiction, dementia, and dreary little dramas of domestic discord – is an obvious example of how language in exploitative, cynical or simply neurotic hands can add to the weariness, the darkness in the world. Less apparent is that bland writing — timid, antiseptic, vanilla writing – is nearly as unhealthy as the brutal and dark. Instead of sipping, say, elixir, nectar, tequila, or champagne, the reader is invited to slurp lumpy milk or choke on the author's dust bunnies.

Max Beckmann's opinion on this issue you find in: 'Quotes About Franz Marc', below
Source: 1915 - 1916, 100 Aphorisms', Franz Marc (1915), p. 445-446