
Section 4 : Moral Ideals
Life and Destiny (1913)
Section 4 : Moral Ideals
Founding Address (1876), Life and Destiny (1913)
Context: The moral ideal would embrace the whole of life. In its sight nothing is petty or indifferent. It touches the veriest trifles and turns them into shining gold. We are royal by virtue of it, and like the kings in the fairy tale, we may never lay aside our crowns.
The moral order never is, but is ever becoming. It grows with our growth.
Section 4 : Moral Ideals
Life and Destiny (1913)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 120.
“1154. Content is the Philosopher’s Stone, that turns all it touches into Gold.”
Compare Poor Richard's Almanack (1758) : Content is the Philosopher’s Stone, that turns all it touches into Gold.
Introductio ad prudentiam: Part II (1727), Gnomologia (1732)
Source: Object-oriented design: With Applications, (1991), p. 124
“See ye not, Courtesy
Is the true Alchemy,
Turning to gold all it touches and tries?”
The Song of Courtesy https://www.gutenberg.org/files/1381/1381-h/1381-h.htm#page129, IV (1859).
Wordsworth, originally published as "Preface to the Poems of Wordsworth" in Macmillan's Magazine (July 1879)
Essays in Criticism, second series (1888)
Context: If what distinguishes the greatest poets is their powerful and profound application of ideas to life, which surely no good critic will deny, then to prefix to the word ideas here the term moral makes hardly any difference, because human life itself is in so preponderating a degree moral.
It is important, therefore, to hold fast to this: that poetry is at bottom a criticism of life; that the greatness of a poet lies in his powerful and beautiful application of ideas to life — to the question, How to live. Morals are often treated in a narrow and false fashion, they are bound up with systems of thought and belief which have had their day, they are fallen into the hands of pedants and professional dealers, they grow tiresome to some of us. We find attraction, at times, even in a poetry of revolt against them; in a poetry which might take for its motto Omar Khayam's words: "Let us make up in the tavern for the time which we have wasted in the mosque." Or we find attractions in a poetry indifferent to them, in a poetry where the contents may be what they will, but where the form is studied and exquisite. We delude ourselves in either case; and the best cure for our delusion is to let our minds rest upon that great and inexhaustible word life, until we learn to enter into its meaning. A poetry of revolt against moral ideas is a poetry of revolt against life; a poetry of indifference towards moral ideas is a poetry of indifference towards life.
"The Sunshine of thine Eyes" in Dreams and Days (1892).