Changes 
Song lyrics, Hunky Dory (1971) 
Context: I watch the ripples change their size
But never leave the stream
Of warm impermanence.
So the days float through my eyes
But still the days seem the same.
And these children that you spit on
As they try to change their worlds
Are immune to your consultations.
They're quite aware of what they're going through.
                                    
        “But they're quite obviously raving lunatics.
Suddenly you go, what's this? And you change the channel. There's another one.”
    
    
    
            Rolling Stone interview (2005) 
Context: So now — cut to 1980. Irish rock group, who've been through the fire of a certain kind of revival, a Christian-type revival, go to America. Turn on the TV the night you arrive, and there's all these people talking from the Scriptures. But they're quite obviously raving lunatics.
Suddenly you go, what's this? And you change the channel. There's another one. You change the channel, and there's another secondhand-car salesman. You think, oh, my God. But their words sound so similar... to the words out of our mouths.
So what happens? You learn to shut up. You say, whoa, what's this going on? You go oddly still and quiet. If you talk like this around here, people will think you're one of those. And you realize that these are the traders — as in t-r-a-d-e-r-s — in the temple.
        
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Bono 172
Irish rock musician, singer of U2 1960Related quotes
                                        
                                        alleged in Mackris v. O'Reilly, quoted in * Every which way but loofah 
Salon 
2004-10-14 
http://www.salon.com/news/2004/10/13/o_reilly 
2011-06-02 
Disputed
                                    
“You cannot underestimate what a radical thing it is to change from one art form to another.”
                                        
                                        As quoted in "Mansfield Park and Film : An Interview with Patricia Rozema" by Hiba Moussa, in Literature/Film Quarterly 32, No. 4 (2004), p. 255 
Context: You cannot underestimate what a radical thing it is to change from one art form to another. An author slaves to start with just the right word, phrase, sentence, and paragraph. The sounds of the words are crucial. But all the demands of words and prose are lifted when you make a movie. The physical presence makes many unnecessary and some necessary ones impossible. So you serve two masters as an adapting filmmaker: the author's intention and the needs of film. Sometimes "fidelity" can mean only focusing on one day of a story told over twenty years in a book.
                                    
                                        
                                        The Other World (1657) 
Context: You imagine that what you can't understand is either spiritual or does not exist. The conclusion is quite wrong; rather there are obviously a million things in the universe that we would need a million quite different organs to understand. For example, I perceive by my senses what makes a magnet point north, what makes tides rise and fall, and what becomes of an animal after death. Your people are not proportioned to perceive such miracles, just as someone blind from birth cannot imagine the beauty of a landscape, the colors of a painting or the shadings of an iris. He will imagine them as something palpable, edible, audible or olfactory. Likewise, if I were to explain to you what I perceive by the senses you do not have, you would interpret it as something that could be heard, seen, touched, smelled or tasted; but it is not like that.