
“In The Deadliest Catch, the death the men face is the source of entertainment, but not of concern.”
Source: The Boy Crisis (2018), pp. 67
Catch-22 (1961)
Context: There was only one catch and that was Catch-22, which specified that a concern for one's safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn't, but if he was sane he had to fly them. If he flew them he was crazy and didn't have to; but if he didn't want to he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle. "That's some catch, that Catch-22," he observed. "It's the best there is," Doc Daneeka agreed.
“In The Deadliest Catch, the death the men face is the source of entertainment, but not of concern.”
Source: The Boy Crisis (2018), pp. 67
“Words calculated to catch everyone may catch no one.”
Address to the Democratic National Convention, Chicago, Illinois. (21 July 1952); published in Speeches of Adlai Stevenson (1952)
The Ballot or the Bullet (1964), Speech in Cleveland, Ohio (April 3, 1964)
“Whenever I hear of culture … I release the safety catch of my Browning!”
Wenn ich Kultur höre … entsichere ich meinen Browning!
Schlageter
Source: Father and Child Reunion (2001), p. 88.