
“We need no science of formulae, but a science of forms.”
Implosion Magazine, No. 124, p. 29. (Callum Coats: Energy Evolution (2000))
Implosion Magazine
Moralités (1932)
Context: Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.
“We need no science of formulae, but a science of forms.”
Implosion Magazine, No. 124, p. 29. (Callum Coats: Energy Evolution (2000))
Implosion Magazine
“Science is not science. It's an art, like… art, in a way.”
October 18, 2007
The Areas of My Expertise (2005), Appearances on The Daily Show with Jon Stewart
Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.201-2
“Who science has and art
He has religion too
Who neither of them owns
Religion is his due.”
Wer Wissenschaft und Kunst besitzt, / Hat auch Religion / Wer jene beiden nicht besitzt / Der habe Religion
As quoted in Jost Lemmerich's "Science and Conscience: The Life of James Franck" (2011), p. 261.
Variant translation: "The man who science has and art, He also has religion. But he who is devoid of both, He surely needs religion." (as quoted in "Homilies of science" by Paul Carus (1892) and The Open Court, Weekly Journal, Vol. II (1887).
Wilhelm Meister's Lehrjahre (Apprenticeship) (1786–1830)
On the Correct Handling of Contradictions Among the People
Source: (zh-CN) 百花齐放、百家争鸣的方针,是促进艺术发展和科学进步的方针,是促进我国的社会主义文化繁荣的方针。艺术上不同的形式和风格可以自由发展,科学上不同的学派可以自由争论。利用行政力量,强制推行一种风格,一种学派,禁止另一种风格,另一种学派,我们认为会有害于艺术和科学的发展。艺术和科学中的是非问题,应当通过艺术界科学界的自由讨论去解决,通过艺术和科学的实践去解决,而不应当采取简单的方法去解决。
Oscar Wilde, 1897, | Hart-Davis, ed., Letters of Wilde, p. 173 https://circle.ubc.ca/bitstream/handle/2429/19170/UBC_1974_A8%20S88.pdf
“First-rate science fiction was, and remains, more interesting than second-rate art.”
Ibid.
Essays and reviews, From the Land of Shadows (1982)