Notes on the Banner of Peace (24 May 1939)
Context: I was asked to collect information where the symbols of our Banner of Peace could be found. It turned out that the symbol of the Holy Trinity has been scattered all over the world. This has been explained in various ways. Some say it means the past, present and future, bound by the ring of eternity. Others find it more palatable to explain it as religion, knowledge and art in the ring of Culture. Obviously there were various explanations already in the ancient times, but the symbol, the sign itself had become fixed all over the world. … You can find it on the ancient icon in Bar depicting St. Nicholas. The same is on the centuries-old image of St. Sergius. It is on the image of Holy Trinity. It is on the coat of arms of Samarkand. It is on ancient Ethiopian and Coptic antiquities. It is on Mongolian rocks. It is on Tibetan rings. The steed of happiness on the Himalayan Mountains passes bears the same flaming sign. It is on all the brooches of Lahuli, Ladakhi and Himalayan Mountains. It is on Buddhist banners. Going back to the Neolithic depths we can find the same sign in the ornaments decorating their pottery. … And that is why the symbol was chose for all uniting Banner as the symbol that has passed through centuries, more exactly — millennia. The symbol was not a mere decorating ornament all over, it bore a very special meaning. Collecting all its images together, we might prove that it is the most extensively spread and ancient one among all the symbols of mankind. No one can claim that it belongs but to one religion or is based on the only one folk-lore. It would be very beneficial to glance at the evolution of human consciousness in its variegated forms.
“I think the reason dance has held such an ageless magic for the world is that it has been the symbol of the performance of living.”
I Am A Dancer (1952)
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Martha Graham 48
American dancer and choreographer 1894–1991Related quotes
“Has the world ever been changed by anything save the thought and its magic vehicle the Word?”
Freud and the Future (1937)
Source: Life, Sex, and Ideas: The Good Life Without God (2002), Chapter 4, “Symbols” (p. 19)
Writer Bhawana Somaaya in [Bhawana Somaaya, Fragmented Frames: Reflections of a Critic, http://books.google.com/books?id=HQ3Yi9VPU8QC&pg=PP201, 1 January 2008, Pustak Mahal, 978-81-223-1016-0, 201–]
November 1941 https://books.google.ca/books?id=eEcXfXoSdgwC&pg=PR223, according to page 223 of "The Bombing War: Europe, 1939-1945", a 2013 book by Richard Overy
2014 Washington Post article https://www.washingtonpost.com/opinions/the-bombers-and-the-bombed-allied-air-war-over-europe-1940-1945-by-richard-overy/2014/03/07/7c2ba5de-9d60-11e3-a050-dc3322a94fa7_story.html refers to him as "a ranking British officer"
History Channel, between 5 November 2018 and 21 February 2019 https://web.archive.org/web/20190221193159/https://www.history.co.uk/shows/al-murray-why-does-everyone-hate-the-english/articles/the-bombing-of-german-cities-during-ww2, referred to him as "one bigwig at Bomber Command" when quoting this.
since at least 19 October 2017 https://steamcommunity.com/app/537800/discussions/0/3182216552766807678/ this quote has been misattributed to Charles Portal the "Chief of Air Staff", due to subsequent mention of Peirse's title "Chief of Bomber Command" mentioned in a 2015 Telegraph article https://www.telegraph.co.uk/history/world-war-two/11410633/Dresden-was-a-civilian-town-with-no-military-significance.-Why-did-we-burn-its-people.html following a paragraph naming Portal without mentioning the subsequent person was Peirse, allowing the assumption that it was continued discussion of Portal.
“There has always been a dance element in my mysticism.”
De Abaitua interview (1998)
Context: There has always been a dance element in my mysticism. We just think ‘why not’. Music is imposing a state of consciousness by its very nature. If what this Tree of Life is is a hierarchy of different states of consciousness, would it be possible to simulate and stimulate those states of consciousness in the listener by producing the right sorts of music. Is it possible? We don’t know, but we’re working on it.