
Source: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 16-17
Italian Report (1955)
Context: A more rewarding approach to painting, in my opinion the only valid one, is to regard it as a deeply personal and private activity and to remember that even when the painter works directly for the public — when there is sufficient common ground to allow him to do so — the real merit of the work will depend on the personal vision of the artist and the work will only be truly understood if it is approached by each in the same spirit as the painter painted it. We must be willing to assume the same sort of responsibility and share the dilemma out of which the work was created in order to be able to feel with the artist. Since the deepest and truest dilemma, from which all good art springs, is the human condition we have every right to regard the needs of our own consciousness as the final court in judging the merit of a work of art, we have in fact a moral obligation to do so. This demands the precise honesty from the spectator as was required from the artist in making the painting. It is their common ground, the area within which communication can occur. Art in the end speaks to the secret soul of the individual and of the most secret sorrows. For this reason it is true that the development that produces great art is a moral and not an aesthetic development..
Source: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 16-17
Nick Griffin, The BNP: Anti-asylum protest, racist sect or power-winning movement? http://web.archive.org/web/20030605150634/http://www.bnp.org.uk/articles/race_reality.htm
undated quotes, The Daily Practice of Painting, Writings (1962-1993)
"Four Letters: Escapism" (1936)
Willa Cather on Writing (1949)
On the influence of culture on an artist in “Interview With Fernando Botero” https://www.huffpost.com/entry/interview-with-fernando-botero_b_6795782 in HuffPost (2017 Dec 6)
Speech on Leadership in Speeches Delivered on Various Occasions, May 1957-December 1959 (1960), p. 138.
Context: The art of leadership is in the ability to make people want to work for you, while they are really under no obligation to do so. Leaders are people, who raise the standards by which they judge themselves and by which they are willing to be judged. The goal chosen, the objective selected, the requirements imposed, are not mainly for their followers alone.
They develop with consumate energy and devotion, their own skill and knowledge in order to reach the standard they themselves have set.
This whole-hearted acceptance of the demands imposed by even higher standards is the basis of all human progress. A love of higher quality, we must remember, is essential in a leader.
A merely borrowed belief is, at such time, like a rotten plank across a raging torrent. The moment we step upon it, it gives way beneath our feet.
Section 9 : Ethical Outlook
Life and Destiny (1913)
1930s, On my Painting (1938)