Context: Circumstances have been such, that I have lived almost entirely secluded for some time. Those who are much in earnest and with single minds devoted to any great object in life, must find this occasionally inevitable.... You will wonder at having heard nothing from me; but you have experience and candour enough to perceive and know that God has not given to us (in this state of existence) more than very limited powers of expression of one's ideas and feelings... I shall be very desirous of again seeing you. You know what that means from me, and that it is no form, but the simple expression and result of the respect and attraction I feel for a mind that ventures to read direct in God's own book, and not merely thro' man's translation of that same vast and mighty work.
In a letter to Andrew Crosse, as quoted in Eugen Kölbing's Englische Studien, Volume 19 https://archive.org/stream/englischestudien19leipuoft#page/157/mode/1up (1894), Leipzig; O.R. Reisland, "Byron's Daughter", p. 157.
Source: Think Big (1996), p. 154
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 123.
As quoted in Man Ray : The Rigour of Imagination (1977) by Arturo Schwarz, p. 10 <!-- also in Man Ray : Photographs and Objects (1980) by Birmingham Museum of Art -->
Variant: I paint what cannot be photographed, that which comes from the imagination or from dreams, or from an unconscious drive. I photograph the things that I do not wish to paint, the things which already have an existence.
As quoted in an interview "Man Ray: Photographer" published in Camera (1981) edited by Philippe Sers <!-- and in The Columbia Dictionary of Quotations (1993) edited by Robert Andrews, p. 686 -->
Context: l paint what cannot be photographed, and l photograph what l do not wish to paint. lf it is a portrait that interests me, a face, or a nude, I will use my camera. It is quicker than making a drawing or a painting. But if it is something I cannot photograph, like a dream or a subconscious impulse I have to resort to drawing or painting. To express what I feel I use the medium best suited to express that idea, which is also always the most economical one. l am not at all interested in being consistent as a painter, and object-maker or a photographer. I can use several different techniques, like the old masters who were engineers, musicians and poets at the same time. I have never shared the contempt shown by painters for photography: there is no competition involved, painting and photography are two media engaged in different paths. There is no conflict between the two.
“There is nothing more powerful than an idea whose time has come.”
Often attributed to Hugo as a paraphrase of a similar idea in his Histore d'un Crime (1877): "One resists the invasion of armies; one does not resist the invasion of ideas", the wording of this famous statement actually more closely resembles a passage from the relatively obscure Les Francs-Tireurs (1861) by Gustave Aimard, p. 68 https://books.google.com/books/about/Les_francs_tireurs.html?id=mKI4AQAAIAAJ:
Il y a quelque chose de plus puissant que la force brutale des baïonnettes: c'est l'idée dont le temps est venu et l'heure est sonnée.
There is something more powerful than the brute force of bayonets: it is the idea whose time has come and hour struck.
Translated into English as The Freebooters : A Story of the Texan War (1861) https://archive.org/details/freebootersstory00aima, p. 57, Ward & Lock edition
Misattributed
Variant: More powerful than the mighty armies is an idea whose time has come.
The Romance of Commerce (1918), A Representative Business of the Twentieth Century
"Flynn's Sin Was Lying To Liars, Not Colluding With Russia," http://www.wnd.com/2017/12/flynns-sin-was-lying-to-liars-not-colluding-with-russia/ WND.COM, December 7, 2017
2010s, 2017
Memoirs of Aga Khan: World Enough & Time (1954)
Women Can't Hear What Men Don't Say (2000)
Source: General System Theory (1968), 2. The Meaning of General Systems Theory, p. 18
