About the American Idol judge who was most critical of his performances.
Miscellaneous
Интервюта, статии и др. от списания. 11 Nov 2006. 'Prison Break' Star Wentworth Miller Locks Down Breakout Role. 27 Aug 2009. http://telenovellas.4.forumer.com/a/_post8846.html (May 1, 2006)
The Grounds and Reasons of Christian Regeneration (1739)
“Sorry, I don’t understand ragas. Just show me the tune and I sing.”
Then sing anything you like, said Boral, and Saigal started singing something in Raag Asawari.
In Begum Akhtar the Undisputed Malika of Ghazals, 28 September 2012, accessdate3 January 2014, New Age Islam http://www.newageislam.com/islamic-culture/begum-akhtar-the-undisputed-malika-of-ghazals/d/8820,
“I wanted to sing other types of songs that Simon and Garfunkel wouldn't do.”
On the breakup of Simon and Garfunkel as a musical team. Interview with Jon Landau for Rolling Stone (1972); republished in The Rolling Stone Interviews: 1967-1980 (1989) edited by Peter Herbst, p. 210
Context: I wanted to sing other types of songs that Simon and Garfunkel wouldn't do. "Mother and Child Reunion" for example, is not a song that you would have normally thought that Simon and Garfunkel would have done. It's possible that they might have. But it wouldn't have been the same, and I don't know if I would have been so inclined in that direction. So for me it was a chance to break out and gamble a little bit … The breakup had to do with a natural drifting apart as we got older and the separate lives that were more individual. We weren't so consumed with recording and performing. We had other activities … there was no great pressure to stay together other than money, which exerted very little influence upon us. … We didn't need the money.
Source: 1840s, Narrative of the Life of Frederick Douglass, An American Slave (1845), Ch. 2
Context: I have often been utterly astonished, since I came to the north, to find persons who could speak of the singing, among slaves, as evidence of their contentment and happiness. It is impossible to conceive of a greater mistake. Slaves sing most when they are most unhappy. The songs of the slave represent the sorrows of his heart; and he is relieved by them, only as an aching heart is relieved by its tears. At least, such is my experience. I have often sung to drown my sorrow, but seldom to express my happiness. Crying for joy, and singing for joy, were alike uncommon to me while in the jaws of slavery. The singing of a man cast away upon a desolate island might be as appropriately considered as evidence of contentment and happiness, as the singing of a slave; the songs of the one and of the other are prompted by the same emotion.
