“Great works of art are great by virtue of being syntheses of the world; they qualify as art by fusing form and contents into an indivisible whole; what they offer is not "discourse about," nor a cipher to be decoded, but a prolonged incitement to finesse.”

— Jacques Barzun

"Culture High and Dry" (1984), p. 14
The Culture We Deserve (1989)
Context: Scholarship has yielded to the irresistible pull that science exerts on our minds by its self-confidence and the promise of certified knowledge. But, to repeat, the objects of culture are not analyzable, not graspable by the geometric mind. Great works of art are great by virtue of being syntheses of the world; they qualify as art by fusing form and contents into an indivisible whole; what they offer is not "discourse about," nor a cipher to be decoded, but a prolonged incitement to finesse. So it is paradoxical that our way of introducing young minds to such works should be the way of scholarship.

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Jacques Barzun46

Historian 1907–2012

Donald Judd (1928–1994) artist

Donald Judd (1967), quoted in: Alexander Alberro, ‎Blake Stimson (1999) Conceptual Art: A Critical Anthology. p. 204
1960s

“All great art is a form of complaint”

John Cage (1912–1992) American avant-garde composer

“Great art is never extreme. Criticism moves in a false direction, as does art, when it aspires to be a social science... In this world modern artists form a kind of spiritual underground.”

Robert Motherwell (1915–1991) American artist

Motherwell's writing in 1944; as cited in 'Robert Motherwell, American Painter and Printmaker' https://www.theartstory.org/artist-motherwell-robert-life-and-legacy.htm#writings_and_ideas_header, on 'Artstory' <br class="br">1940s

“One never finishes learning about art. There are always new things to discover. Great works of art seem to look different every time one stands before them. They seem to be as inexhaustible and unpredictable as real human beings.”

Ernst Gombrich book The Story of Art

Source: The Story of Art (1978), p. 33.

“As far as Saddam Hussein being a great military strategist: He is neither a strategist, nor is he schooled in the operational art, nor is he a tactician, nor is he a general, nor is he a soldier.”

Norman Schwarzkopf (1934–2012) United States Army general

Context: As far as Saddam Hussein being a great military strategist: He is neither a strategist, nor is he schooled in the operational art, nor is he a tactician, nor is he a general, nor is he a soldier. Other than that, he's a great military man.

Gulf War briefing (28 February 1991), as quoted in "WAR IN THE GULF: Commander's Briefing; Excerpts From Schwarzkopf News Conference on Gulf War" in The New York Times

“Great art is the contempt of a great man for small art.”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

Notebook L (1945) edited by Edmund Wilson
Quoted, Notebooks

“What the overemphasis on the idea of content entails is the perennial, never consummated project of interpretation. And, conversely, it is the habit of approaching works of art in order to interpret them that sustains the fancy that there really is such a thing as the content of a work of art.”

Susan Sontag book Against Interpretation

"Against Interpretation" (1964), p. 5
Against Interpretation and Other Essays (1966)

“Great art – or good art – is when you look at it, experience it and it stays in your mind. I don't think conceptual art and traditional art are all that different. There's boring conceptual art and there's boring traditional art. Great art is if you can't stop thinking about it, then it becomes a memory.”

Damien Hirst (1965) artist

Source: Elizabeth Day Damien Hirst: 'Art is childish and childlike' http://www.theguardian.com/theobserver/2010/sep/26/damien-hirst-art, The Guardian, 26 September 2010

“Never worry about being obsessive. I like obsessive people. Obsessive people make great art”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

“I was attracted to video art because it allowed me to combine a strong sense of content with formal innovation. The field was wide open and allowed for a great deal of experimentation for creating new forms.”

Beryl Korot (1945) American artist

Source: Meeker, Carlene. " Beryl Korot http://jwa.org/encyclopedia/article/korot-beryl." Jewish Women: A Comprehensive Historical Encyclopedia. 1 March 2009. Jewish Women's Archive. (Viewed on July 9, 2015)

“Great works of art are great by virtue of being syntheses of the world; they qualify as art by fusing form and contents into an indivisible whole; what they offer is not "discourse about," nor a cipher to be decoded, but a prolonged incitement to finesse.”

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Jacques Barzun46

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