Paris Review (Summer 1966)
Context: If you complain of people being shot down in the streets, of the absence of communication or social responsibility, of the rise of everyday violence which people have become accustomed to, and the dehumanization of feelings, then the ultimate development on an organized social level is the concentration camp... The concentration camp is the final expression of human separateness and its ultimate consequence. It is organized abandonment.
“The art of pictorial creation is so complicated — it is so astronomical in its possibilities of relation and combination that it would take an act of super-human concentration to explain the final realization.”
Quote of Hofmann in Hawthorne — the Painter: An Appreciation, (1952)
1950s
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Hans Hofmann 67
American artist 1880–1966Related quotes
"The Landscaping of Hell : Strip-Mine Morality" (1965).
The Long-Legged House (1969)
“Bless advertising art for its pictorial vitality and verbal creativity.”
Source: 1960s, Counterblast (1969), p. 18
“Design can be art. Design can be aesthetics. Design is so simple, that's why it is so complicated.”
'Search for the Real in the Visual Arts', p. 40
Search for the Real and Other Essays (1948)
“The possibilities of the art of combination are not infinite, but they tend to be frightful.”
"On Dubbing" ["Sobre el doblaje"]
Discussion (1932)
Context: The possibilities of the art of combination are not infinite, but they tend to be frightful. The Greeks engendered the chimera, a monster with heads of the lion, the dragon and the goat; the theologians of the second century, the Trinity, in which the Father, the Son and the Holy Ghost are inextricably tied; the Chinese zoologists, the ti-yiang, a vermilion supernatural bird, endowed with six feet and four wings, but without a face or eyes; the geometers of the nineteenth century, the hypercube, a figure with four dimensions, which encloses an infinite number of cubes and has as its faces eight cubes and twenty-four squares. Hollywood has just enriched this vain museum of horrors: by means of an artistic malignity called dubbing, it proposes monsters that combine the illustrious features of Greta Garbo with the voice of Aldonza Lorenzo.
Quote of Turner, c. 1810; as quoted in: Dennis Hugh Halloran (1970) The Classical Landscape Paintings of J.M.W. Turner. p. 75
1795 - 1820
'Search for the Real in the Visual Arts', p. 40
Search for the Real and Other Essays (1948)