“If the resistances in one direction are impossible to overcome, then the artist’s invention and powers of expression turn to a goal the way to which is not obstructed, and it is very unusual for him even to be aware of the fact that his achievement is a substitute for the real thing. Even in the most liberal democracy the artist does not move with perfect freedom and unrestraint; even there he is restricted by innumerable considerations foreign to his art. The different measure of freedom may be of the greatest importance for him personally but in principle there is no difference between the dictates of a despot and the conventions of even the most liberal social order. If force in itself were contrary to the spirit of art, perfect works of art could arise only in a state of complete anarchy. But in reality the presuppositions on which the aesthetic quality of a work depends lie beyond the alternative presented by political freedom and compulsion.”

— Arnold Hauser

The Social History of Art, Volume I. From Prehistoric Times to the Middle Ages, 1999, Chapter II. Ancient Oriental Urban cultures

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "If the resistances in one direction are impossible to overcome, then the artist’s invention and powers of expression tu…" by Arnold Hauser?

Arnold Hauser34

Hungarian art historian 1892–1978

Related quotes

“If the artist did not know his goal, even the most miraculous of tools could not find it for him.”

Arthur C. Clarke book The City and the Stars

Source: The City and the Stars (1956), Chapter 2 (p. 13)

“There was an apparent disorder in his personal life style…resented any restriction on his freedom…for him freedom meant a constant movement of the intellect and imagination…He moved in different directions at the same time that he could only look forward and beyond.”

Zakir Hussain (politician) (1897–1969) 3rd President of India

Dr. Mujeeb, in p. 75.
About Zakir Hussain, Quest for Truth (1999)

“Mayor Helen Zille has shrugged off the news that her portrait has been painted by an 'artist' who uses his penis as a brush, saying it is his constitutional right to exercise his freedom of expression 'in this unusual way.”

Pricasso (1949) Australian painter

[Cape Argus staff, Artist uses a different stroke on Zille portrait, Cape Argus, South Africa, 7 May 2008, 3, Independent Online]
About

“An artist who sees that the imitation of natural appearances, however artistic, is not for him – the kind of creative artist who wants to, and has to express his own inner world – sees with envy how naturally and easily such goals can be attained in music, the least material of the arts today. Understandably, he may turn toward it and try to find the same means in his own art. Hence the current search for rhythm in painting, for mathematical abstract construction.... the way colors are set in motion, etc.”

Wassily Kandinsky (1866–1944) Russian painter

1910 - 1915
Source: On the Spiritual in Art, 1911; as quoted in Schönberg and Kandinsky: An Historic Encounter, by Klaus Kropfinger; edited by Konrad Boehmer; published by Routledge (imprint of Taylor & Francis, an informal company), 2003, p. 15

“The greatest artist is he who is greatest in the highest reaches of his art, even although he may lack the qualities necessary for the adequate execution of some minor details. It is not by his faults, but by his excellences, that we measure a great man. The strength of a beam is measured by its weakest part, of a man by his strongest..”

George Henry Lewes (1817–1878) British philosopher

On Actors and the Art of Acting (Leipzig: Bernhard Tauchnitz, 1875) p. 13

“It is doubtful whether the artist [unknown] altogether knew what he depicted here in this panel, and even more doubtful whether he could have expressed it in words. That which we praise here as well thought-out and cleverly arranged may, in fact, have been achieved by him unconsciously; for the artist was transformed by pure harmoniousness while executing this picture, and his feeling become his law. Only his disposition, his spiritual exaltation, could have brought forth such a fruit as this picture. Just as the pious man prays without speaking a word and the Almighty hearkens unto him, so the artist with true feeling paints and the sensitive man understands and recognizes it; while even the less sensitive gain some inkling of it.”

Caspar David Friedrich (1774–1840) Swedish painter

cited in: Vaughan, William-Börsch-Supan, Helmut- Neidhardt, Hans Joachim, Caspar David Friedrich. 1774-1840. Romantic Landscape Painting in Dresden, London, The Tate gallery, 1972, p. 104
undated

“In the middle of the work of art, an artist often feels that he is failing. And he starts interfering with his inspiration. That is a mistake. The mistake. It is best to push on through. Such works frequently turn out to be the best. To fail is a very ordinary experience for an artist. To fail and fail and still go on, marks his character. Most people cannot bear to fail, even once. They think of security.”

Agnes Martin (1912–2004) American artist

1980 - 2000, The Skowhegan Lecture', 1987