“Like gladiator games and pyramid building, opera has always been a gloriously money-losing proposition. It is the most extravagant of arts, requiring the constant support of kings, dictators, plutocrats, and town councils. Box-office success is no solution. San Francisco Opera loses money at every sold-out performance. Sane business practices simply don’t suffice. Composer Richard Wagner’s patron, King Ludwig II of Bavaria, was the ideal operatic angel — very rich and certifiably insane. Mel Brooks’ shyster producer Max Bialystock need not have mounted Springtime for Hitler to score a surefire loss. Aida would have done just fine.”

— Dana Gioia

"Drama at the Opera House," http://www.danagioia.net/essays/eoperahouse.htm San Francisco Magazine (September 2001)
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Dana Gioia 80

American writer 1950

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Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

American Notes— At the Golden Gate http://whitewolf.newcastle.edu.au/words/authors/K/KiplingRudyard/prose/AmericanNotes/goldengate.html (1891).
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