“In the course of some experiments I conducted from 1954 through 1956 I was suspended in water for several hours at a time, and I noticed that my skin gradually became more and more sensitive to tactile stimuli and an intense sense of pleasure resulted. However, if the stimulation was carried too far it became intensely irritating, I reasoned that the dolphin is suspended in water all of his life, twenty four hours a day, and possibly had developed an intensely sensitive skin.”

— John Lilly

Man and Dolphin (1961), p.172; as quoted in The Sounding of the Whale: Science and Cetaceans in the Twentieth Century (2012), by D. Graham Burnett, p.580

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John Lilly 7

American physician 1915–2001

Elena Ferrante book The Days of Abandonment

Source: The Days of Abandonment

“I remember distinctly, during the summer of 1901, at Les Andelys-on-Seine, that upon two days and for two hours in the afternoons of those days all Nature, animate and inanimate, bore the aspect of things seen under a strong glare of violet light, exactly as though a tinted glass were suspended between the sun's rays and the earth. The effect was most curious and disturbing. Nature appears to be toneless and flat. Highlights and shadows are attenuated almost to extinction, whilst in this dull purple glare the heat became more intense than ever, possibly through lack of wind, for all was still.”

Wynford Dewhurst (1864–1941) British artist

Wynford Dewhurst, 'What is Impressionism?' in Contemporary Review. vol. XCIX, 1911, p. 300.

“I owe my success to the fact that I never had a clock in my workroom. Seventy-five of us worked twenty hours every day and slept only four hours — and thrived on it.”

Thomas Edison (1847–1931) American inventor and businessman

Diary entry, as quoted in Defending and Parenting Children Who Learn Differently : Lessons from Edison's Mother (2007) by Scott Teel, p. 12
Date unknown

“All these troubles revolve around the irritable mutual dependence of life and art – with their need and contempt for one another. Of necessity, to create is a temporary state and cannot be possessed, because you learn and relearn that it is the lie and mask of Art and, too, its mortification, which promise a continuity. There are twenty crucial minutes in the evolution of each of my paintings. The closer I get to that time - those twenty minutes – the more intensely subjective I become – bit the more objective, too. Your eye gets sharper, you become continuously more and more critical. There is no measure I can hold on..”

Phillip Guston (1913–1980) American artist

1961 - 1980, ARTnews Annual', October 1966

“That book taught me that by reading, I could live more intensely. It could give me back the sight I had lost. For that reason alone, a book that didn't matter to anyone changed my life.”

Carlos Ruiz Zafón book The Shadow of the Wind

Source: The Shadow of the Wind

“… his work gradually became identifiably Simakian — constrained, intensely emotional beneath a calmly competent Genre SF surface; tales deeply Pastoral in the sense that his idylls, his Edens, were almost inevitably supported by some superior civilization, sometimes urban… <…”

Clifford D. Simak (1904–1988) American writer, journalist

“My whole life has been spent trying to teach people that intense concentration for hour after hour can bring out in people resources they didn't know they had.”

Edwin H. Land (1909–1991) American scientist and inventor

"A Talk with Polaroid's Dr. Edwin Land" in Forbes Vol. 115, No. 7 (1 April 1975), p. 49

“Happiness, remarked Maury Noble one day, is only the first hour after the alleviation of some especially intense misery.”

F. Scott Fitzgerald book The Beautiful and Damned

Source: The Beautiful and Damned

“They say anticipation makes pleasure more intense.”

Iris Johansen (1938) Novelist

Source: Quicksand

“Since I am a man, my heart is three or four times less sensitive, because I have three or four times as much power of reason and experience of the world — a thing which you women call hard-heartedness.
As a man, I can take refuge in having mistresses. The more of them I have, and the greater the scandal, the more I acquire reputation and brilliance in society.”

Stendhal (1783–1842) French writer

<p>Comme homme, j'ai le cœur 3 ou 4 fois moins sensible, parce que j'ai 3 ou 4 fois plus de raison et d'expérience du monde, ce que vous autres femmes appelez dureté de cœur.</p><p>Comme homme, j'ai la ressource d'avoir des maîtresses. Plus j'en ai et plus le scandale est grand, plus j'acquiers de réputation et de brillant dans le monde.</p>
Letter to his sister Pauline http://fr.wikisource.org/wiki/Stendhal_-_Correspondance_-_Tome_I (29 August 1804)

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John Lilly 7

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