“Even if great poetry continues to be written, it has retreated from the center of literary life. Though supported by a loyal coterie, poetry has lost the confidence that it speaks to and for the general culture.”

—  Dana Gioia

Essays, Can Poetry Matter? (1991)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Even if great poetry continues to be written, it has retreated from the center of literary life. Though supported by a …" by Dana Gioia?
Dana Gioia photo
Dana Gioia 80
American writer 1950

Related quotes

Sorley MacLean photo

“The best poetry written in our generation in the British Isles has been in Scottish Gaelic, by Sorley MacLean.”

Sorley MacLean (1911–1996) Scottish poet

Douglas Young in Van Eerde, John; Williamson, Robert (1978). "Sorley MacLean: A Bard and Scottish Gaelic".
About him

Wendell Berry photo

“Poetry can be written only because it has been written.”

Wendell Berry (1934) author

"The Responsibility of the Poet".
What Are People For? (1990)

Dana Gioia photo

“I want a poetry that can learn as much from popular culture as from serious culture. A poetry that seeks the pleasure and emotionality of the popular arts without losing the precision, concentration, and depth that characterize high art. I want a literature that addresses a diverse audience distinguished for its intelligence, curiosity, and imagination rather than its professional credentials. I want a poetry that risks speaking to the fullness of our humanity, to our emotions as well as to our intellect, to our senses as well as our imagination and intuition. Finally I hope for a more sensual and physical art — closer to music, film, and painting than to philosophy or literary theory. Contemporary American literary culture has privileged the mind over the body. The soul has become embarrassed by the senses. Responding to poetry has become an exercise mainly in interpretation and analysis. Although poetry contains some of the most complex and sophisticated perceptions ever written down, it remains an essentially physical art tied to our senses of sound and sight. Yet, contemporary literary criticism consistently ignores the sheer sensuality of poetry and devotes its considerable energy to abstracting it into pure intellectualization. Intelligence is an irreplaceable element of poetry, but it needs to be vividly embodied in the physicality of language. We must — as artists, critics, and teachers — reclaim the essential sensuality of poetry. The art does not belong to apes or angels, but to us. We deserve art that speaks to us as complete human beings. Why settle for anything less?”

Dana Gioia (1950) American writer

"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
Interviews

Joy Harjo photo

“Each of us is descended from poetry ancestors. It’s the same for any art, any occupation. There is a lineage of style, knowledge and culture passed from generation to generation, one artist to another. Ultimately all poetry is related in the family tree of poetry…”

Joy Harjo (1951) American writer

On her poetic lineage in “An Interview with Joy Harjo, U.S. Poet Laureate” https://poets.org/text/interview-joy-harjo-us-poet-laureate?gclid=EAIaIQobChMIiJP5naHW5QIV0Rx9Ch0tGgkkEAAYASAAEgIJD_D_BwE in Poets.org (2019 Mar 31)

“Science fiction, outside of poetry, is the only literary field which has no limits, no parameters whatsoever.”

Theodore Sturgeon (1918–1985) American speculative fiction writer

As quoted in an interview with David Duncan http://www.physics.emory.edu/~weeks/misc/duncan.html
Context: Science fiction, outside of poetry, is the only literary field which has no limits, no parameters whatsoever. You can go not only into the future, but into that wonderful place called "other", which is simply another universe, another planet, another species.

Subramanya Bharathi photo

“He who writes poetry is not a poet. He whose poetry has become his life, and who has made his life his poetry — it is he who is a poet.”

Subramanya Bharathi (1882–1921) Tamil poet

English translation originally from "Subramaniya Bharathi" at Tamilnation.org, also quoted in "Colliding worlds of tradition and revolution" in The Hindu (13 December 2009) http://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/colliding-worlds-of-tradition-and-revolution/article662079.ece

John Miles Foley photo

“The default designation of poetry has become written poetry. That's why we have to prefix the adjective "oral," because the unmodified noun no longer covers anything but written poetry. That's also why we resort to other unwieldy phrases to pigeonhole events and phenomena that our cultural proclivities have silently eliminated from consideration. Thus a "poetry reading" describes a performance (from a published text, of course) before a well-behaved, often academic audience. Thus "spoken-word poetry"—so redundant from a historical perspective—identifies voiced verbal art, verse that is lifted off the page and into the world of presence and experience.”

John Miles Foley (1947–2012) American literary scholar

How to Read an Oral Poem (2002), p. 30

Billy Collins photo

“Poetry in America is no longer a dirty word. While it is still far from the center of the culture, it is moving slowly inward from the margins. I believe more and more people are shedding their outmoded notions of poetry as an exotic hobby--the result of bad teaching and worse public image problems--and coming to the realization that poetry is about their lives. Poetry is about them.”

Billy Collins (1941) American poet

Interview with Kritya: In the Name of Poetry

Walther von der Vogelweide photo

“He has no equal in medieval German lyric poetry and perhaps not even in European lyric poetry of the Middle Ages.”

Walther von der Vogelweide (1170–1230) Middle High German lyric poet

Ingeborg Glier, in Boris Ford (ed.) Medieval Literature: The European Inheritance (Harmondsworth: Penguin, 1983) p. 184.
Praise

Dana Gioia photo

“The second observation is that poetry is a universal human art. Despite post-modern theories of cultural relativism that assert there are no human universals, there exists a massive and compelling body of empirical data, collected and documented by anthropologists, linguists, and archeologists that demonstrates there is no human society, however isolated, that has not developed and employed poetry as a cultural practice. Most of this poetry, of course, has been oral poetry. Many of these cultures never developed writing. But the fact remains—and it is a demonstrable fact, not mere opinion—that every society has developed a special class of speech, shaped by apprehensible patterns of sound, namely, poetry”

Dana Gioia (1950) American writer

9-10
Essays, Can Poetry Matter? (1991), Poetry as Enchantment (2015)

Related topics