
Forgiveness, Liahona, Nov 2005, 81–84.
Poetry Quotes
Forgiveness, Liahona, Nov 2005, 81–84.
“The most basic and somehow forgettable thing is this: Love is not pain. Love is goodness.”
Source: The Secret Life of Prince Charming
Section 2 : Religion
Founding Address (1876), Life and Destiny (1913)
Context: Of the origin of things we know nothing, and can know nothing. Perfection does not reveal itself to us as existent in the beginning; but as something that ought to be, something new which we are to help create. Somehow the secret of the universe is hidden in our breast. Somehow the destinies of the universe depend upon our exertions.
“The global destiny of the species is somehow unfolding with the logic of a dream.”
"Dreaming Awake at the End of Time" (13 December 1998) 11:30 - 15:29 https://www.youtube.com/watch?v=KboPUQ0xCDs
Context: For some reason, a balkanization of epistemology is taking place. And what I mean by that is: there is no longer a commonality of understanding. I mean, for some people quantum physics provides the answers. Their next door neighbors may look to the channeling of archangels with equal fervor. … It is accompanied by a related phenomenon which is technology, or the historical momentum of things, is creating such a bewildering social milieu that the monkey mind cannot find a simple story, a simple creation myth or redemption myth to lay over the crazy contradictory patchwork of profane techno-consumerist post-McLuhanist electronic pre-apocalyptics existence. And so into that dimension of anxiety created by this inability to parse reality rushes a bewildering variety of squirrelly notions, epistemological cartoons if you will. … Conspiracy theory, in my humble opinion … is a kind of epistemological cartoon about reality. I mean, isn't it so simple to believe that things are run by the greys, and that all we have to do is trade sufficient fetal tissue to them and then we can solve our technological problems, or isn't it comforting to believe that the Jews are behind everything, or the Communist Party, or the Catholic Church, or the Masons. Well, these are epistemological cartoons, you know, it is kindergarten in the art of amateur historiography.
I believe that the truth of the matter is far more terrifying, that the real truth that dare not speak itself, is that no one is in control, absolutely no one.… Nobody is in control. This stuff is ruled by the equations of dynamics and chaos. Now, there may be entities seeking control — the World Bank, the Communist Party, the rich, the somebody-or-others — but to seek control is to take enormous aggravation upon yourself. … Because this process which is underway will take the control-freak by the short and curly and throw them against the wall. It's like trying to control a dream, you see.
The global destiny of the species is somehow unfolding with the logic of a dream.
1970 - 1986, Some Memories of Drawings (1976)
Context: It is surprising to me to see how many people separate the objective from the abstract. Objective painting is not good painting unless it is good in the abstract sense. A hill or tree cannot make a good painting just because it is a hill or a tree. It is lines and colours put together so that they say something. For me that is the very basis of painting. The abstraction is often the most definite form for the intangible thing in myself that I can only clarify in paint. … I found I could say things with color and shapes that I couldn't say any other way — things I had no words for.<!-- Also quoted in Georgia O’Keeffe: Nature and Abstraction (2007), edited by Richard Marshall, p. 13