“There is no doubt that Goya thought that one of the drugs chiefly responsible for the sleep of reason was the Church, and he had the lowest possible opinion of ecclesiastical institutions. However, this did not prevent him from painting religious pictures, completely sincerely because, like all Latin people, however little he believed in Christianity, he felt himself to be within the structure of the Catholic Church. One of his finest works was the decoration of a church near Madrid called S. Antonio de la Florida. He used the kind of device that would have appealed to Tiepolo. He painted a balcony round the drum of a cupola, and behind it he put a crowd of loiterers who are supposed to be watching the saint raise a man from the dead. Very few of them are interested in this unusual event. They are interested in each other or themselves, and show very well the curious tension between the individual and the collective, which is the essence of a crowd.”

— Kenneth Clark

Source: The Romantic Rebellion (1973), Ch. 3: Goya

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Kenneth Clark 47

Art historian, broadcaster and museum director 1903–1983

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“The name of Christ is used here instead of the Church, because the similitude was intended to apply—not to God's only-begotten Son, but to us. It is a passage that is full of choice consolation, inasmuch as he calls the Church Christ; for Christ confers upon us this honour —that he is willing to be esteemed and recognised, not in himself merely, but also in his members. Hence the same Apostle says elsewhere, (Eph. i. 23,) that the Church is his completion, as though he would, if separated from his members, be incomplete.”

John Calvin (1509–1564) French Protestant reformer

Commentary on 1 Corinthians, 12:12.
Commentary on the Epistles of Paul the Apostle to the Corinthians, 1848, Rev. William Pringle, tr., Edinburgh, Volume 1, p. 405. http://books.google.com/books?id=tQsOAQAAMAAJ&pg=PA405&dq=%22calls+the+church+christ%22&hl=en&ei=w3_pTZW2CYLx0gGl2L2WAQ&sa=X&oi=book_result&ct=result&resnum=3&ved=0CDQQ6AEwAjgU#v=onepage&q=%22calls%20the%20church%20christ%22&f=false
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“One thing, however, did become clear to him [Goldmund] – why so many perfect works of art did not please him at all, why they were almost hateful and boring to him, in spite of a certain undeniable beauty. Workshops, churches, and palaces were full of these fatal works of art; he had even helped with a few himself. They were deeply disappointing because they aroused the desire for the highest and did not fulfill it. They lacked the most essential thing – mystery. That was what dreams and truly great works of art had in common: mystery.”

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“The rites of the church are expressions of our faith. As we all individually have differing histories and experiences, communities of Christians do as well. One will find subtle differences even between parishes. Jesus Christ founded one Catholic Church with fundamental truths and sacraments. He did not detail the way that should be experienced. History and geography have provided the alternate expressions. With a unified Catholic Church, our differences can be ways of understanding those truths and celebrating the sacraments while protecting their integrity.”

John Michael Kudrick (1947) Roman Catholic bishop

Source: Pope Francis & Married Catholic Priests: Q&A with Bishop John of Parma https://www.americamagazine.org/content/all-things/pope-francis-married-catholic-priests-qa-bishop-john-parma (3 December 2014)

“Individual servitude, however abject, will not satisfy the Latin Church. The State must also be a slave.”

William Ewart Gladstone (1809–1898) British Liberal politician and prime minister of the United Kingdom

Pamflet The Vatican Decrees in their Bearing on Civil Allegiance: A Political Exposition (November 1874), quoted in All Roads lead to Rome? The Ecumenical Movement (2004) by Michael de Semlyen.
1870s

“I very well recollect the reformation which took place in the country among the various denominations of Christians-the Baptists, Methodists, Presbyterians, and others-when Joseph was a boy. Joseph's mother, one of his brothers, and one, if not two, of his sisters were members of the Presbyterian Church, and on this account the Presbyterians hung to the family with great tenacity. And in the midst of these revivals among the religious bodies, the invitation, "Come and join our church," was often extended to Joseph, but more particularly from the Presbyterians. Joseph was naturally inclined to be religious, and being young, and surrounded with this excitement, no wonder that he became seriously impressed with the necessity of serving the Lord. But as the cry on every hand was, "Lo, here is Christ," and "Lo, there!" Said he, "Lord, teach me, that I may know for myself, who among these are right." And what was the answer? "They are all out of the way; they have gone astray, and there is none that doeth good, no not one. When he found out that none were right, he began to inquire of the Lord what was right, and he learned for himself. Was he aware of what was going to be done? By no means. He did not know what the Lord was going to do with him, although He had informed him that the Christian churches were all wrong, because they had not the Holy Priesthood, and had strayed from the holy commandments of the Lord, precisely as the children of Israel did.”

Brigham Young (1801–1877) Latter Day Saint movement leader

Journal of Discourses 12:67 (June 23, 1867)
Young’s recollection of religious excitement and events leading up to Joseph Smith, Jr.’s first vision.
1860s

“The artist should not only paint what he sees before him, but also what he sees in himself. If, however, he sees nothing within him, then he should also refrain from painting what he sees before him.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote from "The Awe-Struck Witness" in TIME magazine (28 October 1974) http://www.time.com/time/magazine/article/0,9171,908926-1,00.html and in "On the Brink: The Artist and the Seas" by Eldon N. Van Liere in Poetics of the Elements in the Human Condition: The Sea (1985) ed. Anna-Teresa Tymieniecka
Variant translations:
The artist should not only paint what he sees before him, but also what he sees within him. If, however, he sees nothing within him, then he should also omit to paint that which he sees before him.
As quoted in German Romantic Painting (1994) by William Vaughan, p. 68
undated
Context: The artist should not only paint what he sees before him, but also what he sees in himself. If, however, he sees nothing within him, then he should also refrain from painting what he sees before him. Otherwise his pictures will be like those folding screens behind which one expects to find only the sick or the dead.

“In all the Romish [Catholic] countries of Europe, France, Italy, Germany, etc., the God Christ, as well as his mother, are described in their old pictures and statues to be black. The infant God in the arms of his black mother, his eyes and drapery white, is himself perfectly black. If the reader doubts my word he may go to the Cathedral at Moulins—to the famous Chapel of the Virgin at Loretto—to the Church of the Annunciata—the Church at St. Lazaro or the Church of St. Stephen at Genoa—to St. Francisco at Pisa—to the Church at Brixen in Tyrol and to that at Padua—to the Church of St. Theodore at Munich—to a church and to the Cathedral at Augsburg, where a black virgin and child as large as life—to Rome and the Borghese chapel of Maria Maggiore—to the Pantheon—to a small chapel of St. Peters on the right hand side on entering, near the door; and in fact, to almost innumerable other churches in countries professing the Romish religion.”

Godfrey Higgins book Anacalypsis

Vol. I., p. 138.
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“Now let's get this straight. You're a pastor of a church supposedly or a bishop. A guy in your church is a big homosexual faggot, and he's a U. S. senator, but you know people might accuse you of meddling if you told him if that's a sin and that he's going to have to leave the church if he doesn't change.”

Texe Marrs (1944–2019) American writer

“The Church had known more about women than science will ever know, and the historian who studied the sources of Christianity felt sometimes convinced that the Church had been made by the woman chiefly as her protest against man.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

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“Gerry had once said to her in the middle of an argument that he didn't believe in souls but if, just perchance, they did exist, hers would be like a razor. She had been made that way by the Catholic Church, he said. Inflexible, narrow, capable of doing terrible damage by her adherence to rules and systems. But she totally objected. She told him that if she was a good person at all, it had come from her religion. If she had any sense of justice and fairness, any concept of equality, then it had come from the Church.”

Bernard MacLaverty book Midwinter Break

Ch 11 - p.217
Novels, Midwinter Break (2017)

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Kenneth Clark 47

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