Sermon VII : Outward and Inward Morality
Meister Eckhart’s Sermons (1909)
Context: Grace is from God, and works in the depth of the soul whose powers it employs. It is a light which issues forth to do service under the guidance of the Spirit. The Divine Light permeates the soul, and lifts it above the turmoil of temporal things to rest in God. The soul cannot progress except with the light which God has given it as a nuptial gift; love works the likeness of God into the soul. The peace, freedom and blessedness of all souls consist in their abiding in God's will. Towards this union with God for which it is created the soul strives perpetually.
“The inner work is first of all the work of God's grace in the depth of the soul which subsequently distributes itself among the faculties of the soul, in that of Reason appearing as Belief, in that of Will as Love, and in that of Desire as Hope. When the Divine Light penetrates the soul, it is united with God as light with light. This is the light of faith. Faith bears the soul to heights unreachable by her natural senses and faculties.”
Sermon VII : Outward and Inward Morality
Meister Eckhart’s Sermons (1909)
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Meister Eckhart 69
German theologian 1260–1328Related quotes
From Evelyn Underhill, http://www.sacred-texts.com/chr/asm/index.htm Adornment of the Spiritual Marriage
The Spiritual Espousals (c. 1340)
“Her soul's light shines through,
But her soul cannot be seen.”
Main Street and Other Poems (1917), A Blue Valentine
Context: Her soul's light shines through,
But her soul cannot be seen.
It is something elusive, whimsical, tender, wanton, infantile, wise
And noble.
“O'er Nature's laws, God cast the veil of night,
Out blaz'd a Newton's soul — and all was light.”
Preserved in Hill's Works (1753), Vol. IV, p. 92, and mentioned as probably derived from Alexander Pope's "Nature and Nature's laws lay hid in night: God said, Let Newton be! — and all was light" in The Epigrammatists: A Selection from the Epigrammatic Literature of Ancient, Mediæval, and Modern Times (1875) by Henry Philip Dodd, p. 329.
Canto I, Stanza 6; this can be compared to: "The bloom of young Desire and purple light of Love", Thomas Gray, The Progress of Poesy I. 3, line 16; also: "Oh, could you view the melody / Of every grace / And music of her face", Richard Lovelace, Orpheus to Beasts; "There is music in the beauty, and the silent note which Cupid strikes, far sweeter than the sound of an instrument", Thomas Browne, Religio Medici, Part ii, Section ix.
The Bride of Abydos (1813)
Source: 1910s, Mysticism and Logic and Other Essays http://archive.org/stream/mysticism00russuoft/mysticism00russuoft_djvu.txt (1918), Ch. 1: Mysticism and Logic