Der Weg, den Adolf Hitler zur Rettung des deutschen Volkes zu gehen sich entschlossen hatte, führte nach innen und nach außen. Nach innen überwand er die Machtpositionen des Juden durch Ausrottung des Marxismus und durch die Vernichtung der Geheimbünde. Damit wurden die Hemmnisse weggeräumt, die der Schaffung einer deutschen Volksgemeinschaft entgegenstanden. Nach außen zerbrach er die Sklavenketten von Versailles durch Wiederherstellung des Volksheeres, Heimholung der aus dem Reichsverband gerissenen Volksteile, Niederzwingung der Großvasallen des Weltjuden und Grundsteinlegung eines von der jüdischen Geldmacht befreiten Europas.
Stürmer, August 22, 1940
“Hitler … was a hero, the hero-as-monster, embodying what had become the monstrous fantasy of a people, but the horror upon which the radical mind and liberal temperament foundered was that he gave outlet to the energies of the Germans and so presented the twentieth century with an index of how horrible had become the secret heart of its desire.”
Superman Comes to the Supermarket (1960)
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Norman Mailer 165
American novelist, journalist, essayist, playwright, film m… 1923–2007Related quotes
Source: Dragon Magic (1972), Chapter 3, “Sirrush-Lau” (p. 64)
“The Homeric hero becomes a split-man as he assumes an individual ego.”
Source: 1960s, The Gutenberg Galaxy (1962), p. 58
Notes Toward a Supreme Fiction (1942), It Must Give Pleasure
Context: His petty syllabi, the sounds that stick,
Inevitably modulating, in the blood.
And war for war, each has its gallant kind. How simply the fictive hero becomes the real;
How gladly with proper words the solider dies,
If he must, or lives on the bread of faithful speech.
Qinyuanchun ["Snow"] (沁园春•雪) (1936; first published in late 1945). Variant translation of the last stanza: "All are past and gone! / For truly great men / Look to this age alone."
A Fire on the Moon (1970), Pt. 1, Ch. 1
Superman Comes to the Supermarket (1960)
Context: A hero can capture the secret imagination of a people, and so be good for the vitality of his nation; a hero embodies the fantasy and so allows each private mind the liberty to consider its fantasy and find a way to grow. Each mind can become more conscious of its desire and waste less strength in hiding from itself.
“Every hero becomes a bore at last.”
Uses of Great Men
1850s, Representative Men (1850)
“Perhaps,
The man-hero is not the exceptional monster,
But he that of repetition is most master.”
Notes Toward a Supreme Fiction (1942), It Must Give Pleasure