Camille Paglia quote: “Sappho and Emily Dickinson are the only woman geniuses in poetic history.”

“Emily
And her love to be
Carved in a heart
On a berry tree
But it's only a little farewell lovespell
Time to design a woman”

Laura Nyro (1947–1997) American musician and songwriter

"Emily"
Lyrics

“Poetries are no more pure and simple than human histories are pure and simple. And there are colonised poetics and resilient poetics, transmissions across frontiers not easily traced.”

Adrienne Rich (1929–2012) American poet, essayist and feminist

"Legislators of the world" in The Guardian (18 November 2006) http://books.guardian.co.uk/comment/story/0,,1950812,00.html
Context: I'm both a poet and one of the "everybodies" of my country. I live with manipulated fear, ignorance, cultural confusion and social antagonism huddling together on the faultline of an empire. I hope never to idealise poetry — it has suffered enough from that. Poetry is not a healing lotion, an emotional massage, a kind of linguistic aromatherapy. Neither is it a blueprint, nor an instruction manual, nor a billboard. There is no universal Poetry, anyway, only poetries and poetics, and the streaming, intertwining histories to which they belong. There is room, indeed necessity, for both Neruda and César Valléjo, for Pier Paolo Pasolini and Alfonsina Storni, for both Ezra Pound and Nelly Sachs. Poetries are no more pure and simple than human histories are pure and simple. And there are colonised poetics and resilient poetics, transmissions across frontiers not easily traced.

“Love begins at the point when a woman enters her first word into our poetic memory.”

Milan Kundera book The Unbearable Lightness of Being

pg 209
The Unbearable Lightness of Being (1984), Part Five: Lightness and Weight

“The shortness of the woman’s replies indicated that Emily was asking questions Miss Jesczenka didn’t particularly want to answer, but those were usually the questions that most needed to be asked.”

M. K. Hobson (1969) American writer

Source: The Hidden Goddess (2011), Chapter 6, “Treachery” (p. 89)

“The anguish of the third dimension is given its first verbal manifestation in poetic history in King Lear.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 18

“Poetry is not a healing lotion, an emotional massage, a kind of linguistic aromatherapy. Neither is it a blueprint, nor an instruction manual, nor a billboard. There is no universal Poetry, anyway, only poetries and poetics, and the streaming, intertwining histories to which they belong.”

Adrienne Rich (1929–2012) American poet, essayist and feminist

"Legislators of the world" in The Guardian (18 November 2006) http://books.guardian.co.uk/comment/story/0,,1950812,00.html
Context: I'm both a poet and one of the "everybodies" of my country. I live with manipulated fear, ignorance, cultural confusion and social antagonism huddling together on the faultline of an empire. I hope never to idealise poetry — it has suffered enough from that. Poetry is not a healing lotion, an emotional massage, a kind of linguistic aromatherapy. Neither is it a blueprint, nor an instruction manual, nor a billboard. There is no universal Poetry, anyway, only poetries and poetics, and the streaming, intertwining histories to which they belong. There is room, indeed necessity, for both Neruda and César Valléjo, for Pier Paolo Pasolini and Alfonsina Storni, for both Ezra Pound and Nelly Sachs. Poetries are no more pure and simple than human histories are pure and simple. And there are colonised poetics and resilient poetics, transmissions across frontiers not easily traced.