“We do live, all of us, on many different levels, and for most artists the world of imagination is more real than the world of the kitchen sink.”

It's Not Easy Being Green: And Other Things to Consider https://books.google.com/books?id=IiKY1H0A_QEC&pg=PT102 (Hyperion, 2005).
Cf. Wisdom from It's Not Easy Being Green: And Other Things to Consider https://books.google.com/books?id=EEiqMIgAl3UC&pg=PA49 (White Plains, N. Y.: Peter Pauper Press, Inc., 2007), p. 49.

1920s, Viereck interview (1929)

Source: Eona: The Last Dragoneye

As he said in the Greek parliament
Source: https://www.youtube.com/watch?v=wqZeImBRWjc

Joint Interview with The Times and Daily Mail (2009)
Context: OK, I’m not against that [spending £100m]. If you have the money and you find the one player who can make you win and make the difference, no matter how expensive he is you should do it. But there are not many players in the world who will make a real difference.

Darkness, p. 91
Catching the Big Fish (2006)
Context: People have asked me why — if meditation is so great and gives you so much bliss — are my films so dark, and there's so much violence?
There are many, many dark things flowing around in this world right now, and most films reflect the world in which we live. They're stories. Stories are always going to have conflict. They're going to have highs and lows, and good and bad.
I fall in love with certain ideas. And I am where I am. Now, if I told you I was enlightened, and this is enlightened filmmaking, that would be another story. But I'm just a guy from Missoula, Montana, doing my thing, going down the road like everybody else.
We all reflect the world we live in. Even if you make a period film, it will reflect your times. You can see the way period films differ, depending on when they were made. It's a sensibility — how they talk, certain themes — and those things change as the world changes.
And so, even though I'm from Missoula, Montana, which is not the surrealistic capital of the world, you could be anywhere and see a kind of strangeness in how the world is these days, or have a certain way of looking at things.

Source: A Different Kind of Teacher: Solving the Crisis of American Schooling, Berkeley Hills Books (2000) p. 97

Quote in 'John Cage, For the Birds: John Cage In Conversation with Daniel Charles', London/New York: Marion Boyars, 1981; as quoted in: 'Tàpies: From Within', June ─ November, 2013 - Presse Release, Museu Nacional d’Art de Catalunya (MNAC ), p. 17, note 10
1980s

Twenty Year Vision for America (2004)
Context: As with science and technology, there could be a dark side of globalization, in which progress for some means poverty for others, as jobs and opportunities ebb and flow, securities and currencies fluctuate in value, and the tension between private profit and public good persists. But surely these are risks that we can manage in a world with an America more attuned to its larger purpose and responsibilities.
The final frontier is perhaps the most difficult, but it's also the most important — and that's the frontier of the human spirit. For too long, people have allowed differences on the surface — differences of color, ethnicity, and gender — to tear apart the common bonds they share. And the human spirit suffers as a result.
Imagine a world in which we saw beyond the lines that divide us, and celebrated our differences, instead of hiding from them. Imagine a world in which we finally recognized that, fundamentally, we are all the same. And imagine if we allowed that new understanding to build relations between people and between nations.
Our goal for the next twenty years should be to finally recognize that our differences are our greatest strength. That's true not only here in America, but in all parts of the world, where we've allowed historic rifts to poison the well of opportunity. They've arisen from the natural prides and passion of humanity. Only when we recognize that — when we respect the human spirit — will we be a great nation and a great world. These are the steps we must take in the next twenty years, as we reach out for the newest frontiers.