“I associated it [the word 'Hourloupe', as title of his longest series of work he made exclusively from 1962 to 1974] by assonance with 'hurler' (to shout), hululer (to howl), loup, (wolf), 'Riquet à la Houppe' and the title of Maupassant's book ‘Le Horla’, inspired by mental distraction.”

Two Cheers for Democracy (1951)

Letter to Maxwell Perkins (21 October 1946); p. 80
To Reach Eternity (1989)
Context: Also by the way, I have found a title for this book. From Here to Eternity. Taken from the "Whiffenpoof" song, of Yale drinking fame. It goes: "We are little black sheep who have gone astray, baa... baa... baa. Gentlemen songsters out on a spree, damned from here to eternity. God have mercy on such as we. Baa, etc." Maybe it's maudlin, but so am I. I get chills every time I sing it, even when sober.

Merce Cunningham, A Lifetime of Dance, 2000

Anarchism : A History of Libertarian Ideas and Movements (1962)
Context: Like such titles as Christian and Quaker, "anarchist" was in the end proudly adopted by one of those against whom it had been used in condemnation. In 1840, Pierre-Joseph Proudhon, that stormy, argumentative individualist who prided himself on being a man of paradox and a provoker of contradiction, published the work that established him as a pioneer libertarian thinker. It was What Is Property?, in which he gave his own question the celebrated answer: "Property is theft." In the same book he became the first man willingly to claim the title of anarchist.
Undoubtedly Proudhon did this partly in defiance, and partly in order to exploit the word's paradoxical qualities. He had recognized the ambiguity of the Greek anarchos, and had gone back to it for that very reason — to emphasize that the criticism of authority on which he was about to embark need not necessarily imply an advocacy of disorder. The passages in which he introduces "anarchist" and "anarchy" are historically important enough to merit quotation, since they not merely show these words being used for the first time in a socially positive sense, but also contain in germ the justification by natural law which anarchists have in general applied to their arguments for a non-authoritarian society.

Friend of My Youth (2017)

As quoted by David Milner, "Kenpachiro Satsuma Interview III" http://www.davmil.org/www.kaijuconversations.com/satsum3.htm, Kaiju Conversations (December 1995)

On her philosophy regarding interviews and publicity in “Donna Tartt on The Goldfinch, Inspiration, and the Perils of Literary Fame” https://www.townandcountrymag.com/leisure/arts-and-culture/a29022016/donna-tartt-goldfinch-interview/ in Town & Country (2019 Sep 12)

No. 1 (Oct. 6, 1759).
The Bee (1759)