“The third nightfall was less impressive than the second, which mirrored a rule Tris had already identified; new emotions devalued, going from intense through familiar to reach a kind of ghost state where one no longer really noticed them at all.”

—  Jon Courtenay Grimwood

Source: Stamping Butterflies (2004), Chapter 37 (p. 237)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "The third nightfall was less impressive than the second, which mirrored a rule Tris had already identified; new emotion…" by Jon Courtenay Grimwood?
Jon Courtenay Grimwood photo
Jon Courtenay Grimwood 14
British writer 1953

Related quotes

R. G. Collingwood photo

“The general conception here maintained is not new; it is one already familiar from the works of Coleridge, Croce and many others; it is the view that art is at bottom neither more nor less than imagination.”

R. G. Collingwood (1889–1943) British historian and philosopher

Source: Outlines of a Philosophy of Art, 1925, p. 3

Jean-François Lyotard photo

“Already in the last few decades, economic powers have reached the point of imperiling the stability of the state through new forms of the circulation of capital that go by the generic name of multinational corporations.”

Jean-François Lyotard (1924–1998) French philosopher

Source: The Postmodern Condition: A Report on Knowledge (1977), p. 5

“Government by emotion is identified with rule by tyranny.”

George Alec Effinger (1947–2002) Novelist, short story writer

Source: Relatives (1973)., Chapter 1 (p. 24).

Elizabeth I of England photo

“Kings were wont to honour philosophers, but if I had such I would honour them as angels that should have such piety in them that they would not seek where they are the second to be the first, and where the third to be the second and so forth.”

Elizabeth I of England (1533–1603) Queen regnant of England and Ireland from 17 November 1558 until 1603

Response to Parliament (October 1566).

Arthur Conan Doyle photo

“As a rule, the more bizarre a thing is the less mysterious it proves to be. It is your commonplace, featureless crimes which are really puzzling, just as a commonplace face is the most difficult to identify.”

Arthur Conan Doyle book The Adventures of Sherlock Holmes

Source: The Adventures of Sherlock Holmes

Marcel Duchamp photo

“.. I am not going to New York, I am leaving Paris. That's quite different. Long before the war [World War 1. ] I already had a distaste for the 'artistic life' I was involved in. – It's quite the opposite of what I'm looking for. – And so I tried, through the Library, to escape from artists somewhat. Then, with the war, my incompatibility with this milieu grew. I wanted to go away at all costs. Where to? My only option was New York where I knew you [ Walter Pach, artist and friend of Duchamp] and where I hope to be able to escape leading the artistic life, if needs be through a job which will keep me very busy. I ask you to keep all this from my brothers [all his brothers were artists as well] because I know my leaving will be very painful for them.”

Marcel Duchamp (1887–1968) French painter and sculptor

the same goes for my father and sisters.
Quote in Duchamp's letter to Walter Pach, Paris 27 April 1915; as quoted in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 p. 157
1915 - 1925

Alan Watts photo

“Camus [five_questions]said there is only really one serious philosophical question, which is whether or not to commit suicide. I think there are four or five serious philosophical questions:
The first one is: Who started it?
The second is: Are we going to make it?
The third is: Where are we going to put it?
The fourth is: Who's going to clean up?
And the fifth: Is it serious?”

Alan Watts (1915–1973) British philosopher, writer and speaker

Out Of Your Mind (2004), Audio lecture 1: The Nature of Consciousness: A Game That's Worth The Candle

Emmanuel Levinas photo

“By asserting the objectivity of the physical world, natuaralism identifies the existence and the conditions of existence of the physical world with existence and the conditions of existence in general. It forgets that the world of the physicist necessarily refers back, through its intrinsic meaning, through the subjective world which one tries to exclude from reality as being pure appearance, conditioned by the empirical nature of man, which is incapable of reaching directly to a world of things in themselves. But while the world of the physicist claims to go beyond naive experience, his world really exists only in relation to naive experience.”

Emmanuel Levinas (1906–1995) French philosopher

The Theory Of Intuition In Husserls Phenomenology 1963, 1995 p. 9

Otto Weininger photo

“If it really were the case, as popular opinion has tried to establish, that the genius were separated from ordinary men by a thick wall through which no sound could penetrate, then all understanding of the efforts of genius would be denied to ordinary men, and their works would fail to make any impression on them. All hopes of progress depend on this being untrue. And it is untrue. The difference between men of genius and the others is quantitative not qualitative, of degree not of kind.”

Otto Weininger book Sex and Character

Source: Sex and Character (1903), p. 121.

R. G. Collingwood photo

“One of Collingwood's earliest attempts to define the aesthetic essence of art. His aim, he writes in the preface, is to state a general conception of art and develop its consequences. His conception is one already familiar through the writings of others -- "that art is as bottom neither more nor less than imagination" -- but from his observation he goes on to outline the various distinctions between subordinate conceptions of art, and to attempt to demonstrate their place in the general conception, and the place of both in life. He urges that the meaningfulness of art cannot be torn from the imaginative setting in which it is embedded, and that we must attempt to explain the process by which an artist reaches a particular point of view on reality.”

R. G. Collingwood (1889–1943) British historian and philosopher

Abstract
Outlines of a Philosophy of Art, 1925

Related topics