“…the strongest part of a picture is the sensation and the feeling which it creates, this being done through the agency of certain familiar objects more or less accurately depicted and represented with more or less completeness.
The MOTIVE, then, in all pictorial work is to convey some thought or idea or sensation by means of a chosen subject.”
Source: Practical Pictorial Photography, 1898, The application of the foregoing principles, p. 12
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Alfred Horsley Hinton 64
British photographer 1863–1908Related quotes
Stephen M. Kosslyn, William L. Thompson, Giorgio Ganis (2006), The Case for Mental Imagery. p. 44; Cited in: Michael R. W. Dawson (2013). Mind, Body, World: Foundations of Cognitive Science. p. 108

Quote from Richter's letter to Jean-Christophe Ammann, February 1973; as cited on collected quotes on the website of Gerhard Richter: 'on Other subjects' https://www.gerhard-richter.com/en/quotes/other-aspects-6
1970's

“Sensation is a subjective image of the objective world.”
Source: Materialism and Empirio-Criticism (1908), p. 116

VIII. On Mind and Soul, and that the latter is immortal.
On the Gods and the Cosmos
Context: There is a certain force, less primary than being but more primary than the soul, which draws its existence from being and completes the soul as the sun completes the eyes. Of souls some are rational and immortal, some irrational and mortal. The former are derived from the first Gods, the latter from the secondary.
Love is not a feeling ~ The Article (1995)
Context: Love is not a feeling; it's a sensation. Drinking water when you're thirsty is a sensation, not a feeling. Being in nature or swimming in the sea is a sensation, not a feeling. Lying down when you're tired is sensational, not a feeling, although you may say it feels good. Feeling is an emotional interpretation of experience and these sensations don't need interpretation; they are just good or right. Making physical love rightly is a sensation, not a feeling. So is the love of God. The same goes for joy and beauty; both are sensational.

[U]n symbole n'est, à proprement parler, ni vrai, ni faux; il est plus ou moins bien choisi pour signifier la réalité qu'il représente, il la figure d'une manière plus ou moins précise, plus ou moins détaillée...
[Pierre Maurice Marie Duhem, translated by Philip P. Wiener, The Aim and Structure of Physical Theory, Princeton University Press, 1991, 069102524X, 168]
Notice sur les Titres et Travaux scientifiques de Pierre Duhem rédigée par lui-même lors de sa candidature à l'Académie des sciences (mai 1913), The Aim and Structure of Physical Theory (1906)

The Notebooks of Leonardo da Vinci (1883), XIV Anatomy, Zoology and Physiology

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), pp. 409-410