“A public domain work is an orphan. No one is responsible for its life. But everyone exploits its use, until that time certain when it becomes soiled and haggard, barren of its previous virtues. How does the consumer benefit from the steady decline of a film's quality?”

— Jack Valenti

A Plea For Keeping Alive the U.S. Film Industry’s Competitive Energy (1995)

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Jack Valenti 35

President of the MPAA 1921–2007

Larkin Kerwin (1924–2004) Canadian physicist

in The Role of Canadian Science, edited by [Bernard Ostry, Janice Yalden, Visions of Canada: the Alan B. Plaunt memorial lectures, 1958-1992, McGill-Queen's Press, 2004, 0773526625, 492]

“The problem of power is how to achieve its responsible use rather than its irresponsible and indulgent use — of how to get men of power to live for the public rather than off the public.”

Robert F. Kennedy book The Pursuit of Justice

"I Remember, I Believe," The Pursuit of Justice (1964)

“Capitalism is being attacked not because it is inefficient or misgoverned but because it is cynical. And indeed a society based on the assertion that private vices become public benefits cannot endure, no matter how impeccable its logic, no matter how great its benefits.”

Peter F. Drucker (1909–2005) American business consultant

Source: 1930s- 1950s, The Practice of Management (1954), p. 392

“GNU is not in the public domain. Everyone will be permitted to modify and redistribute GNU, but no distributor will be allowed to restrict its further redistribution.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

1980s, GNU Manifesto (1985)
Context: GNU is not in the public domain. Everyone will be permitted to modify and redistribute GNU, but no distributor will be allowed to restrict its further redistribution. That is to say, proprietary modifications will not be allowed. I want to make sure that all versions of GNU remain free.

“Until work has reached its previous stage nympharium privileges are denied to all.”

Jack Vance Dying Earth

Source: Dying Earth (1950-1984), The Eyes of the Overworld (1966), Chapter 4, "The Sorcerer Pharesm"

“Your film is like your children. You might want a child with certain qualities, but you are never going to get the exact specification right. The film has a privilege to live its own life and develop its own character. To suppress this is dangerous.”

Werner Herzog (1942) German film director, producer, screenwriter, actor and opera director

Herzog on Herzog (2002)
Context: Your film is like your children. You might want a child with certain qualities, but you are never going to get the exact specification right. The film has a privilege to live its own life and develop its own character. To suppress this is dangerous. It is an approach that works the other way too: sometimes the footage has amazing qualities that you did not expect.

“A civilization begins to decline the moment Life becomes its sole obsession.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

“How capitalism finds its substance and its essence in the living work, in such a way that it comes exclusively from it, can't go without it, lives only drawing at each time its life from that of the worker, life that then becomes his own, this is what expresses in the whole work of Marx the theme of vampire. "Capitalism is dead work which, such as a vampire, animates itself only in sucking the living work and the more it pumps, the more its life is cheerful."”

Michel Henry (1922–2002) French writer

Michel Henry, Marx II. une philosophie de l’économie, éd. Gallimard, coll. « Nrf », 1976, p. 435
Books on Economy and Politics, Marx. A Philosophy of Human Being (1976)
Original: (fr) Comment le capital trouve sa substance et son essence dans le travail vivant, de telle manière qu’il provient exclusivement de lui, ne peut se passer de lui, ne vit que pour autant qu’il puise à chaque instant sa vie dans celle du travailleur, vie qui devient ainsi la sienne, c’est ce qu’exprime à travers toute l’œuvre de Marx le thème du vampire. « Le capital est du travail mort qui, semblable au vampire, ne s’anime qu’en suçant le travail vivant et sa vie est d’autant plus allègre qu’il en pompe davantage ».

“The civilization of the West, which was brilliant by virtue of its scientific perfection for a long time, and which subjugated the whole world with the products of this science to its states and nations, is now bankrupt and in decline.”

Hassan Banna (1906–1949) Egyptian politician

[Five Tracts of Hasan Al-Banna: A Selection from the Majmu at Rasail al-Imam al-Shahid Hasan al-Banna, University of California Press, 106] translated and annotated by Charles Wendell.

“Its culture: the fruit of its life, the product of its own efforts in thought and art. This culture is not international. It is the expression of the national genius, of the blood. The culture is international in its brilliance but national in origin. Someone made a fine comparison: bread and wheat may be internationally consumed, but they always bear the imprint of the soil from which they came.”

Corneliu Zelea Codreanu (1899–1938) Romanian politician

For My Legionaries: The Iron Guard (1936), Nation and Culture

“A public domain work is an orphan. No one is responsible for its life. But everyone exploits its use, until that time certain when it becomes soiled and haggard, barren of its previous virtues. How does the consumer benefit from the steady decline of a film's quality?”

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Jack Valenti 35

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