quote from: From Rebel to Rabbi: Reclaiming Jesus and the Making of Modern Jewish Culture, Matthew B. Hoffman; Stanford University Press, 2007, p. 218
Chagall started in 1912 (in Paris) to paint his 'Golgotha' https://en.wikipedia.org/wiki/File:Marc_Chagall,_1912,_Calvary_(Golgotha)_Christus_gewidmet,_oil_on_canvas,_174.6_x_192.4_cm,_Museum_of_Modern_Art,_New_York.jpg and later more Crucifixions. In this (later! quote) Chagall looks back on this question.
1910's
“When I was born 20.6. [18]87, I was influenced by Picasso to cry. When I could walk and speak I still stood under Picasso's influence and said to my mother: 'Tom' or 'Happening', meaning the entrances of the canal under the street. My lyrical time was when I lived in the Violet Street. I never saw a violet. That was my influence by Matisse because when he painted rose I did not paint violet. As a boy of ten I stood under Mondrian's influence and built little houses with little bricks. Afterwards I stood under the influence of the Surrealists... I never stood under the influence of Dadaism because whereas the Dadaist created Spiegel-dadaismus (Mirror-Dada) on the Zurich Lake, I created MERZ on the Leine-river, under the influence of Rembrandt. Time went on, and when Hans Arp made concrete Art, I stayed Abstract. Now I do concrete Art, and Marcel Duchamp went over to the Surrealists.... and at all I have much fun about Art.”
Source: 1940s, I is Style (2000), p. 100 : in 'My art and My live' (1940 – 1946), Kurt Schwitters.
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Kurt Schwitters 32
German artist 1887–1948Related quotes
Quote of John Cage: the first lines of his 'Autobiographical Statement', April, 1990 http://www.johncage.org/autobiographical_statement.html
1990s
1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My Painting', p. 75
The Hague, 1882
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Ik zelf, ik zal de menschen schilderen op de straat en in de huizen, de straten en de huizen die ze gebouwd hebben, 't leven vooral. Le peintre du peuple zal ik trachten te worden, of liever ben ik al, omdat ik 't wil. Geschiedenis wil ik schilderen en zal ik ook, maar de geschiedenis in haren uitgebreidsten zin. Een markt, een kaai, een rivier, een bende soldaten onder een gloeiende zon of in de sneeuw.. (Den Haag, 1882)
Quote of Breitner, in his letter to A.P. van Stolk nr. 24, 28 March 1882, (location: The RKD in The Hague); as quoted by Helewise Berger in Van Gogh and Breitner in The Hague, her Master essay in Dutch - Modern Art Faculty of Philosophy University, Utrecht, Febr. 2008]], (translation from the original Dutch, Anne Porcelijn) p. 6.
this quote dates from Breitner's period in The Hague and suggests that Breitner based his ideas for subjects and methods on French Realism in literature, similar to Vincent van Gogh; they read the same novels; lending them to each other. Together they went also through the lower neighborhoods of The Hague, c 1882, sketching and drawing the people
before 1890
Source: Story People: Selected Stories & Drawings of Brian Andreas
1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My Painting', p. 74
"Under the Influence" (song)
("Under the Influence" on YouTube (with lyrics)) https://www.youtube.com/watch?v=f4Ow3lFtNhI
Studio albums, Playing in the Shadows (2011)
Quote in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 31
1920's, My life (1922)