“The Scarecrow was now the ruler of the Emerald City, and although he was not a Wizard the people were proud of him. "For," they said, "there is not another city in all the world that is ruled by a stuffed man." And, so far as they knew, they were quite right.”

— L. Frank Baum , book The Wonderful Wizard of Oz

The Wonderful Wizard of Oz (1900)

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L. Frank Baum 108

Children's writer, editor, journalist, screenwriter 1856–1919

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“The road to the City of Emeralds is paved with yellow brick," said the Witch, "so you cannot miss it.”

L. Frank Baum book The Wonderful Wizard of Oz

The Wonderful Wizard of Oz (1900)
Context: "The road to the City of Emeralds is paved with yellow brick," said the Witch, "so you cannot miss it. When you get to Oz do not be afraid of him, but tell your story and ask him to help you".

“I've spoken of the shining city all my political life, but I don't know if I ever quite communicated what I saw when I said it. But in my mind it was a tall proud city built on rocks stronger than oceans, wind-swept, God-blessed, and teeming with people of all kinds living in harmony and peace, a city with free ports that hummed with commerce and creativity, and if there had to be city walls, the walls had doors and the doors were open to anyone with the will and the heart to get here. That's how I saw it and see it still.”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

1980s, Second term of office (1985–1989), Farewell Address (1989)

“My people have been wearing green glasses on their eyes for so long that most of them think this really is an Emerald City.”

L. Frank Baum book The Wonderful Wizard of Oz

The Wonderful Wizard of Oz (1900)
Source: Oz: The Wonderful Wizard of Oz

“The dynamics of the city. His mother had been scared of cities. It had been part of his education. She had told him cities are dangerous places. They're full of tough, scary guys. He was a tough boy himself but he had walked around as a teenager ready and willing to believe her. And he had seen that she was right. People on city streets were fearful and furtive and defensive. They kept their distance and crossed to the opposite sidewalk to avoid coming near him. They made it so obvious he became convinced the scary guys were always right behind him, at his shoulder. Then he suddenly realized no, I'm the scary guy. They're scared of me. It was a revelation. He saw himself reflected in store windows and understood how it could happen. He had stopped growing at fifteen when he was already six feet five and two hundred and twenty pounds. A giant. Like most teenagers in those days he was dressed like a bum. The caution his mother had drummed into him was showing up in his face as a blank-eyed, impassive stare. They're scared of me. It amused him and he smiled and then people stayed even farther away. From that point onward he knew cities were just the same as every other place, and for every city person he needed to be scared of there were nine hundred and ninety-nine others a lot more scared of him. He used the knowledge like a tactic, and the calm confidence it put in his walk and his gaze redoubled the effect he had on people. The dynamics of the city.”

Lee Child book Running Blind

Source: Running Blind (2000), Ch. 1.

“I said I knew a very wise man so much of Sir Christopher's sentiment, that he believed if a man were permitted to make all the ballads he need not care who should make the laws of a nation, and we find that most of the ancient legislators thought that they could not well reform the manners of any city without the help of a lyric, and sometimes of a dramatic poet.”

Andrew Fletcher (1961–2022) English musician, member of Depeche Mode

An ACCOUNT of A CONVERSATION concerning A RIGHT REGULATION of GOVERNMENTS For the common Good of Mankind: In A LETTER to the Marquiss of Montrose , the Earls of Rothes, Roxburg and Haddington , From London the first of December, 1703'. Later variants express the sentiment in the first person, e.g.:
Let me make the songs of a nation, and I care not who makes its laws.
Give me the making of a people's songs, and I care not who makes its laws.
They may also substitute equivalent words, such as "songs" for "ballads" or "country" for "nation". The sentiment is sometimes attributed to Plato, but does not appear in his works. Austin Matzko has discovered http://www.ilfilosofo.com/blog/2006/10/20/what-plato-might-have-said-but-didnt/ that the mistaken attribution probably originated in an ambiguous sentence in Donald J. Grout's A History of Western Music (1973, p. 8).