“Criticism, whatever may be its pretensions, never does more than to define the impression which is made upon it at a certain moment by a work wherein the writer himself noted the impression of the world which he received at a certain hour.”

— James Branch Cabell

Epigraph
The Certain Hour (1916)

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James Branch Cabell 130

American author 1879–1958

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“Criticism is often not a science; it is a craft, requiring more good health than wit, more hard work than talent, more habit than native genius. In the hands of a man who has read widely but lacks judgment, applied to certain subjects it can corrupt both its readers and the writer himself.”

Jean de La Bruyère book Les Caractères

La critique souvent n'est pas une science; c'est un métier, où il faut plus de santé que d'esprit, plus de travail que de capacité, plus d'habitude que de génie. Si elle vient d'un homme qui ait moins de discernement que de lecture, et qu'elle s'exerce sur de certains chapitres, elle corrompt et les lecteurs et l'écrivain.
Aphorism 63
Les Caractères (1688), Des Ouvrages de l'Esprit

“Now as we call every thing [custom], which proceeds from a past repetition, without any new reasoning or conclusion, we may establish it as a certain truth, that all the belief, which follows upon any present impression, is deriv'd solely from that origin.”

David Hume book A Treatise of Human Nature

Part 3, Section 8
A Treatise of Human Nature (1739-40), Book 1: Of the understanding

“[My father] impressed upon me from the first, that the manner in which the world came into existence was a subject on which nothing was known: that the question, “Who made me?””

John Stuart Mill book Autobiography

cannot be answered, because we have no experience or authentic information from which to answer it; and that any answer only throws the difficulty a step further back, since the question immediately presents itself, “Who made God?”
Source: Autobiography (1873), Ch. 2: Moral Influences in Early Youth. My Father's Character and Opinions.

“One receives the impression from his writings that he made it his plan to read any book whatever that no one else can bear to read.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

“Bosh," he said, "On what else is the whole world run but immediate impressions? What is more practical? My friend, the philosophy of this world may be founded on facts, but its business is run on spiritual impressions and atmospheres.”

G. K. Chesterton book The Club of Queer Trades

The Club of Queer Trades (1905) Ch. 2 "The Painful Fall of a Great Reputation"

“Nothing is more certain than death and nothing uncertain but its hour.”

Barbara W. Tuchman book A Distant Mirror

Enguerrand VII de Coucy, quoted on p. 570
A Distant Mirror (1978)

“A book can never be anything more than the impression of its author’s thoughts.”

Arthur Schopenhauer (1788–1860) German philosopher

The value of these thoughts lies either in the matter about which he has thought, or in the form in which he develops his matter — that is to say, what he has thought about it.
Essays, On Authorship and Style

“Essays, entitled critical, are epistles addressed to the public, through which the mind of the recluse relieves itself of its impressions.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

"A Short Essay on Critics" in Art, Literature and the Drama (1858).

“Literary works do not take as their subjects characters and events which have impressed a writer primarily by the frequency of their appearance. For example, how many Jewish men, as we know them, have come nearly to the brink of plunging a knife into their only son because they believed God had commanded them to? The story of Abraham and Isaac derives its meaning from something other than its being a familiar, recognizable, everyday occurrence. The test of any literary work is not how broad is its range of representation — for all that breadth may be characteristic of a kind of narrative — but the depth with which the writer reveals whatever it may be that he has chosen to represent.”

Philip Roth (1933–2018) American novelist

Writing About Jews (1963)

“Eros? What other name may we give that impetus which becomes enchanted as soon as it casts its glance on matter and then longs to impress its features upon it?”

Nikos Kazantzakis book The Saviors of God

The Saviors of God (1923)
Context: Eros? What other name may we give that impetus which becomes enchanted as soon as it casts its glance on matter and then longs to impress its features upon it? It confronts the body and longs to pass beyond it, to merge with the other erotic cry hidden in that body, to become one till both may vanish and become deathless by begetting sons.
It approaches the soul and wishes to merge with it inseparably so that "you" and "I" may no longer exist; it blows on the mass of man — kind and wishes, by smashing the resistances of mind and body, to merge all breaths into one violent gale that may lift the earth!
In moments of crisis this Erotic Love swoops down on men and joins them together by force — friends and foes, good and evil. It is a breath superior to all of them, independent of their desires and deeds. It is the spirit, the breathing of God on earth.
It descends on men in whatever form it wishes — as dance, as eros, as hunger, as religion, as slaughter. It does not ask our permission.

“Criticism, whatever may be its pretensions, never does more than to define the impression which is made upon it at a certain moment by a work wherein the writer himself noted the impression of the world which he received at a certain hour.”

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James Branch Cabell 130

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