“The one good thing to be said about announcing yourself as a writer in the colonial Canadian fifties is that nobody told me I couldn't do it because I was a girl. They simply found the entire proposition ridiculous. Writers were dead and English, or else extremely elderly and American; they were not sixteen years old and Canadian. It would have been worse if I'd been a boy, though. Never mind the fact that all the really stirring poems I'd read at that time had been about slaughter, mayhem, sex and death — poetry was thought of as existing in the pastel female realm, along with embroidery and flower arranging. If I'd been male I would probably have had to roll around in the mud, in some boring skirmish over whether or not I was a sissy.”
On Writing Poetry (1995)
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Margaret Atwood 348
Canadian writer 1939Related quotes
from an interview with Q magazine (1995)
In interviews etc., About himself and his work
Section 1.9 <!-- p. 28 -->
The Crosswicks Journal, A Circle of Quiet (1972)
Context: My husband is my most ruthless critic. … Sometimes he will say, "It's been said better before." Of course. It's all been said better before. If I thought I had to say it better than anyone else, I'd never start. Better or worse is immaterial. The thing is that it has to be said; by me; ontologically. We each have to say it, to say it in our own way. Not of our own will, but as it comes through us. Good or bad, great or little: that isn't what human creation is about. It is that we have to try; to put it down in pigment, or words, or musical notations, or we die.
On his personal stylistic breakthrough, quoted in Hear Me Talkin' to Ya (1955) edited by Nat Hentoff and Nat Shapiro, . p 354
On his wanting to become a writer at an early age in " From Poverty to Power: The Inspiring Story of Tomas Rivera http://www.teenink.com/nonfiction/academic/article/778847/From-Poverty-to-Power-The-Inspiring-Story-of-Tomas-Rivera" (TeenInk)