“Friedan: I think it's partly a reaction against feminism, partly envy of feminism, and partly partly a real need of men to evolve through the burden of the masculine mystique, the burden of machismo.”

Source: 1930s, Sex and Temperament in Three Primitive Societies (1935), p. 302, as cited in Women and Politics : An International Perspective (1987) by Herbert A. Applebaum, p. 18

Source: The Prince (1513), Ch. 6
Context: It ought to be remembered that there is nothing more difficult to take in hand, more perilous to conduct, or more uncertain in its success, than to take the lead in the introduction of a new order of things. Because the innovator has for enemies all those who have done well under the old conditions, and lukewarm defenders in those who may do well under the new. This coolness arises partly from fear of the opponents, who have the laws on their side, and partly from the incredulity of men, who do not readily believe in new things until they have had a long experience of them.

Source: The Hunger Games

Alan Paton on Smuts's oratory, in Paton's final essay, A Literary Remembrance, published posthumously in TIME, 25 April 1988, p. 106.

Humanities interview (1996)
Context: As a former soldier, what struck me is the absolutely heartless way that war was being pursued by the Americans, partly I think because of the race problem. The Vietnamese to us were not merely communists, they were nasty little yellow people without souls. It didn't matter how we blew them up or how we bombed them or how we burned their villages and so on. I was very struck by that. And one thing I was trying to do in The Great War and Modern Memory was to awaken a sort of civilian sympathy for the people who suffer on the ground in wartime, and that's really an act that I've been performing, oh, ever since 1945, I suppose.

On how she perceives female rage in “Gillian Flynn Isn’t Going to Write the Kind of Women You Want” https://www.vanityfair.com/hollywood/2018/06/gillian-flynn-isnt-going-to-write-the-kind-of-women-you-want in Vanity Fair (2018 Jun 28)

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 69

Introduction<!-- p. 5 -->
Space—Time—Matter (1952)
Context: It is the nature of a real thing to be inexhaustible in content; we can get an ever deeper insight into this content by the continual addition of new experiences, partly in apparent contradiction, by bringing them into harmony with one another. In this interpretation, things of the real world are approximate ideas. From this arises the empirical character of all our knowledge of reality.

The Playboy Interview (1992)