“Nothing has happened since two or three days.... nothing special, only the Ladies van Loon have visited me this morning, I have shown them a few of my studies, and talked a lot about [Huis] 't Velde and {[w|nl:Vorden|Vorden}}. Now I could tell you further, how little I still feel at home, how a certain nostalgia or quiet sorrow plunges me down, and how an indefinite hurry for an even more uncertain future dominates my whole [being? ]; but why should I bother You by telling You my inner life..”
translation from Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Johannes Warnardus Bilders' brief, in het Nederlands): Er is sedert de twee of drie dagen.. ..niets bijzonders voorgevallen, alleen de freules van Loon zijn heden morgen bij mij geweest, ik heb paar mijn studies laten zien, en verder veel over 't Velde en Vorden met hen gesproken; nu zou ik UE nog verder kunnen zeggen, hoe weinig ik mij nog te huis gevoel, hoe een zeker heimwee, of stil verdriet mij ter nederdrukt, en, hoe een onbestemd jagen, naar een nog onbestemder toekomst mijn gehele [aanschijn[?] beheerst; maar waar om zou ik UE vermoeijen; door UE mijn innerlijk leven mede te delen..
J.W. Bilders, in his letter [including a pencil-sketch of trees along a water] to Georgina van Dijk van 't Velde, from Castle Voorst in Warnsveld, 22 Oct. 1868; from an excerpt of the letter https://rkd.nl/nl/explore/excerpts/751208 in the RKD-Archive, The Hague
In 1868 Bilders traveled to the North of The Netherlands, to make sketches
1860's + 1870's
Help us to complete the source, original and additional information
Johannes Warnardus Bilders 10
painter from the Northern Netherlands 1811–1890Related quotes

translation from Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Johannes Warnardus Bilders' brief, in het Nederlands:) Ik heb den gehelen dag hart gewerkt. Zoo dat ik erg moede ben. gisteren had ik de schets van t kasteel [in Vorden] op t' doek gebracht en vandaag heb ik de gehelen dag aan de lucht geschildert , ik heb de compositie nog eenvoudiger gemaakt door de vischkaar weg te laten; de lucht is in de geest van t [Swartzwald[?], maar nog veel sterker en droeviger, ik hoop de menschen te laten zien, hoe schoon, hoe diep poetisch, het kasteel bi.. ..bewaar de krabbel èn ook mijn voorgaande brief, wie weet als het nageslacht, die dan leest, en de krabbel ziet of ze dan niet zeggen, zie op deze wijze kwam dit schoonste schilderij van Bilders in t leven, t werd op ’t Velde besproken, en te Vorden in 't leven geroepen, dag zeer geliefde juffrouw..
J.W. Bilders, in his letter [including a sketch by pen of the landscape with the castle, seen from the garden of the hotel where he stayed] to Georgina van Dijk van 't Velde, from Vorden, 1 Sept. 1868; from an excerpt of the letter https://rkd.nl/nl/explore/excerpts/751236 in the RKD-Archive, The Hague
1860's + 1870's

As quoted in "Profile: The Soloist" by Joan Acoccella, in The New Yorker (January 19, 1998); reprinted in Life Stories: Profiles from The New Yorker https://books.google.com/books?id=KDhjzXAjyUMC&pg=PA62 (2000), edited by David Remnick, p. 62.

Jace and Clary, pg. 244
Source: The Mortal Instruments, City of Ashes (2008)
Context: "I wish I could hate you. I want to hate you. I try to hate you. It would be so much easier if I did hate you. Sometimes I think I do hate you and then I see you and I-"
"And you what?"
"What do you think? Why should I tell you everything about how I feel when you never tell me anything. It's like banging my head on a wall, except at least if I were banging my head on a wall, I'd be able to make myself stop."

Variant: In vain I have struggled. It will not do. My feelings will no longer be repressed. You must allow me to tell you how ardently I admire and love you.
Source: Pride And Prejudice

On playing Bond. [Timothy Dalton Reflects On 007, 2007-02-19, http://www.mi6.co.uk/sections/articles/dalton_hot_fuzz.php3?t=&s=, MI6 - The Home of James Bond, 2007-02-21]
Attributed

Biographical profile http://rivera-ortiz.com/html_info.cfm?menu_itemID=144717&load=html
Official site
Context: I don’t need them to tell me what it feels like to be poor … I already know how this feels, how it smells and how it tastes! When I talk to them … I want them to tell me about their hopes and aspirations, about their dreams… about the road ahead and how they imagine it will shape up out in front of them to make the dreaming and hoping come true. I ask them about assistance, about the health, and about their families near or far.