
“All real works of art look as though they were done in joy.”
This Business of Living (1935-1950)
“All real works of art look as though they were done in joy.”
“There was reality and there was reality; and some things were more real than others.”
Source: Anansi Boys (2005), Ch. 9
“It seems as though a new epoch were in preparation, a truly human epoch”
Antropologia Pedagogica (1910), translated as Pedagogical Anthropology (1913), p. 259.
Context: It seems as though a new epoch were in preparation, a truly human epoch, and as though the end had almost come of those evolutionary periods which sum up the history of the heroic struggles of humanity; an epoch in which an assured peace will promote the brotherhood of man, while morality and love will take their place as the highest form of human superiority. In such an epoch there will really be superior human beings, there will really be men strong in morality and in sentiment. Perhaps in this way the reign of woman in approaching, when the enigma of her anthropological superiority will be deciphered. Woman was always the custodian of human sentiment, morality and honour, and in these respects man always has yielded women the palm.
Responsible Scientific Investigation and Application (1976)
“With commitment and dedication he transforms simple opportunities into incredible realities.”
Original: Impegno e dedizione trasformano semplici opportunità in incredibili realtà.
Source: prevale.net
“The terms of this new religion, though based on Hebrew models, were Greek terms.”
Source: Sailing the Wine-Dark Sea: Why the Greeks Matter (2003), Ch.VII The Way They Went: Greco-Roman Meets Judeo-Christian
Context: The terms of this new religion, though based on Hebrew models, were Greek terms. Christ, Ekklēsia (Church), Baptism, Eucharist, Agapē (Lovingkindness)—all of Christianity's central words were Greek words. Christian patterns of thought... could indeed be traced to their origins in the coastal Levant, but they often shone with a Greek patina.
Anarchism in America http://alexpeak.com/art/films/aia/ (15 January 1983)
Source: A Funeral for the Eyes of Fire (1975), Chapter 7, “Interlude: Heartseed and Tower” (p. 142)