“Art' is a Renaissance invention which has been carried to a state of extreme refinement in the present day. This is the so-called 'abstract art'. The production of good works of art was achieved only at the cost of an enormous concentration upon certain matters. This concentration could be achieved only through neglecting 'life', through the very loss of life- just as religion had experienced before. 'Today this situation is no longer tolerable'. Today life is paramount. Modern life in general rejects all tendencies towards isolation and ivory tower-like exclusiveness. It is absolute un-modern to concentrate upon just one thing (as did the middle Ages!) Modern life is based upon the construction, which is to say, upon a system of tensions or the neutralization of the system of carry and support. In agreement with this concept we too must distribute our vitality over the whole range of life taken in the broadest possible sense. All other attitudes towards life produce tragedy.”

— Theo van Doesburg

Quote in 'The end of Art', in De Stijl; Theo van Doesburg – series XII, 1924-5, pp. 135–136
1920 – 1926

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Theo van Doesburg 46

Dutch architect, painter, draughtsman and writer 1883–1931

Eva Hesse (1936–1970) German-born American sculptor

Art since 1940, strategies of being, Jonathan Fineberg, copyright Prentice Hall, Inc. 1995. ISBN 0 13 045469 9

“Neo-Plasticism has its roots in Cubism. It could just as easy be called the Painting of Real Abstraction. Since the abstract can be expressed by a plastic reality... It achieves what all painting has tried to achieve but has been able to express only in a veiled manner. By their position and their dimension as well as by the importance of given to colour, the coloured planes express in a plastic way only relations and not forms. Neo-Plasticism imparts to these relations an aesthetic balance and thereby expresses universal harmony... For the moment what art had discovered must still be limited to art itself. Our environment cannot yet be realized as a creation of pure harmony. Art today is at the very point formerly occupied by religion. In its deepest meaning art was the transposition of the natural [into another plane]; in practice it always sought to achieve harmony between man and untransposed nature. Generally speaking, so do Theosophy and Anthroposophy, although these already possessed the original symbol of balance. And this is why they never were able to achieve equivalent relations, that is to say true harmony.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote in Mondrian's letter to Rudolf Steiner, c. 1921-23; as cited in Abstract Painting, Michel Seuphor, Dell Publishing Co 1964, p. 83-85
1920's

“The day before is what we bring to the day we're actually living through, life is a matter of carrying along all those days-before just as someone might carry stones, and when we can no longer cope with the load, the work is done.”

José Saramago book The Cave

Page 61, 2002 (Harvest Hardcover edition)
The Cave (2000)

“The paramount relation between poetry and painting today, between modern man and modern art, is simply this: that in an age in which disbelief is so profoundly prevalent or, if not disbelief, indifference to questions of belief, poetry and painting, and the arts in general, are, in their measure, a compensation for what has been lost. Men feel that the imagination is the next greatest power to faith: the reigning prince.”

Wallace Stevens (1879–1955) American poet

The Necessary Angel (1951), Imagination as Value

“The one thing to say about art and life is that art is art and life is life, that art is not life and life is not art. A 'slice-of-life' art is no better or worse than a 'slice-of-art' life. Fine art is not a 'means of making a living' or a 'way of living a life', and a artist who dedicates his life to his art or his art to his life burdens his art with his life and his life with his art. Art that is a matter of life and death is neither fine nor free.”

Ad Reinhardt (1913–1967) American painter

Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 155

“There is no pulse so sure of the state of a nation as its characteristic art product which has nothing to do with its material life.”

Gertrude Stein book Paris France

Source: Paris France (1940), p. 12

“The arts which achieve their effect through purity have never been arts that were good for everything. Greek sculpture (among others) with its decadence, teaches us this.”

Georges Braque (1882–1963) French painter and sculptor

Source: 1908 - 1920, quotes from Artists on Art...(1972), p. 422 - Braque's quote, Paris 1917

“Art is the funnel, as it were, through which spirit is poured into life.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

“Art can only be truly art by presenting an adequate outward symbol of some fact in the interior life.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

Part II, Things and Thoughts of Europe, p. 198.
At Home And Abroad (1856)

“It is only through religion that communism can be achieved, and has been achieved over and over.”

Dorothy Day (1897–1980) Social activist

From Union Square to Rome (1938)

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