“When the film premiered at Cannes 2003, Lars von Trier was accused of not portraying Americans accurately, but how many movies do? Anything by David Spade come to mind? Von Trier could justifiably make a fantasy about America, even an anti-American fantasy, and produce a good film, but here he approaches the ideological subtlety of a raving prophet on a street corner.”

— Roger Ebert

Review http://www.rogerebert.com/reviews/dogville-2004 of Dogville (9 April 2004)
Reviews, Two star reviews

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Roger Ebert 264

American film critic, author, journalist, and TV presenter 1942–2013

Jonas Ridderstråle (1966) Swedish business theorist

Source: Funky Business Forever, 2007, p. 184

“I was talking to a friend about it recently and I told him that the thing about making that film that upset me most was how cruel Lars is to the woman he is working with. Not that I can't take it, because I'm pretty tough and completely capable of defending myself, but because my ideals of the ultimate creator were shattered. And my friend said "What did you expect? All major directors are "sexist", a maker is not necessarily an expert in human rights or female/male equality!
My answer was that you can take quite sexist film directors like Woody Allen or Stanley Kubrick and still they are the one that provide the soul to their movies. In Lars von Trier's case it is not so and he knows it. He needs a female to provide his work soul. And he envies them and hates them for it. So he has to destroy them during the filming. And hide the evidence. What saves him as an artist, though, is that he is so painfully honest that even though he will manage to cover up his crime in the "real" world (he is a genius to set things up that everybody thinks it is just his female-actress-at-the-moment imagination, that she is just hysterical or pre-menstrual), his films become a documentation of this "soul-robbery.”

Björk (1965) Icelandic singer-songwriter

Breaking the Waves is the clearest example of that.
bjork."
From the www.bjork.com http://www.bjork.com 4um, posted by Björk in response to a question about her conflict with director Lars von Trier during the production of Dancer in the Dark.
Other quotes

“There’s something about an American soldier you can’t explain. They’re so grateful for anything, even a film actress coming to see them.”

Marlene Dietrich (1901–1992) German-American actress and singer

citation needed

“The roles that Eastwood has played, and the films that he has directed, cannot be disentangled from the nature of the American culture of the last quarter century, its fantasies and its realities.”

Clint Eastwood (1930) actor and director from the United States

Author Edward Gallafent, commenting on Eastwood's impact on film from the 1970s to 1990s
Gallafent, Edward (1994). Clint Eastwood. p. 10. New York: Continuum. ISBN 0826406653.

“Well, what is a political film? A film about politicians? Or a film about issues — sexism, racism, the environment, nuclear policy? I decided on the broader definition. If I'd limited myself to films about politicians, it would have been a short list: How many characters in any mainstream American movie seem aware of the political process, or belong to a party?”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Ranking "the 20 best political films of the past two decades" in "The Big Picture: Roger Ebert" in MotherJones (May/June 1996) http://www.motherjones.com/arts/film/1996/05/ebert.html

“What is it that put America in the forefront of the nuclear nations? And what is it that will make it possible to spend twenty billion dollars of your money to put some clown on the moon? Well, it was good old American know how, that's what, as provided by good old Americans like Dr. Wernher von Braun!”

Tom Lehrer (1928) American singer-songwriter and mathematician

Introduction to "Wernher Von Braun"
That Was the Year That Was (1965)

“When I think about the kinds of movies that make me cry, that make tears come to my eyes, I usually don't think about sad films. Sad films, I sort of just look at it. It's movies that are about selflessness, that are about sacrifice, about humans that believe in the good of the human race that sometimes move me.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Roger Ebert's DVD commentary for Casablanca

“It isn’t that I object to it. I just feel it’s the wrong adjective as applied to the films I do. Because horror to me is, say, a film like The Godfather. Or anything to do with war, which is real and can happen, and unfortunately, no doubt, will happen again some time. But the films that dear Christopher Lee and I do are really fantasy. And I think fantasy is a better adjective to use. I don’t object to the term horror, it’s just the wrong adjective!”

Peter Cushing (1913–1994) English actor

Peter Cushing Interview 1973 http://www.bbc.co.uk/programmes/p048plh0 (1973)

“I don't think there is any difference between fantasy and reality in the way these should be approached in a film. Of course if you live that way you are clinically insane.”

Martin Scorsese (1942) American film director, screenwriter, producer and actor

Scorcese on Scorsese, "Mean Streets—Alice Doesn't Live here Anymore—Taxi Driver".

“Going to see Godzilla at the Palais of the Cannes Film Festival is like attending a satanic ritual in St. Peter's Basilica. It's a rebuke to the faith that the building represents. Cannes touchingly adheres to a belief that film can be intelligent, moving and grand. Godzilla is a big, ugly, ungainly device to give teenagers the impression they are seeing a movie. It was the festival's closing film, coming at the end like the horses in a parade, perhaps for the same reason.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/godzilla-1998 of Godzilla (26 May 1998)
Reviews, One-and-a-half star reviews

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