O interview (2003)
Context: I've learned from others' lives... What works in a relationship of very public people is not making the relationship public — keeping it as personal as it can be. It's the only way it is real. I am suspicious of those who have to let the world know how much they love each other. It's a little sad when you have to brag about how much you love someone. That kind of declaration doesn't always reflect the moment of truth between two people who care deeply for each other. When that truth is there, you don't need others to know it. And when somebody truly loves you, you don't even need him or her to be affectionate. Affection is fantastic, but it doesn't necessarily mean there's love — and the public display of affection is often just a show.
“In matters of sentiment, the public has very crude ideas; and the most shocking fault of women is that they make the public the supreme judge of their lives.”
Fragments
De L'Amour (On Love) (1822)
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Stendhal 50
French writer 1783–1842Related quotes
Source: Are We Victims of Propaganda, Our Invisible Masters: A Debate with Edward Bernays (1929), p. 144
Israeli State Comptroller and judge Eliezer Goldberg on Tzachi Hanegbi in his annual report, published September 24, 2004.
First debate with Stephen Douglas Ottawa, Illinois (21 August 1858)
1850s, Lincoln–Douglas debates (1858)
The Paris Review interview
Context: I think it’s the shock of every writer’s life when their first book is published. The shock of their lives. One has somehow to adjust from being anonymous, a figure in ambush, working from concealment, to being and working in full public view. It had an enormous effect on me. My impression was that I had suddenly walked into a wall of heavy hostile fire. <!-- That first year I wrote verses with three magical assonances to the line with the intention of abolishing certain critics! Now I read those reviews and they seem quite good. So it was writer’s paranoia. The shock to a person who’s never been named in public of being mentioned in newspapers can be absolutely traumatic. To everybody else it looks fairly harmless, even enviable. What I can see was that it enormously accelerated my determination to bring my whole operation into my own terms, to make my own form of writing and to abandon a lot of more casual paths that I might have followed. If I’d remained completely unknown, a writer not commented on, I think I might have gone off in all kinds of other directions. One can never be sure, of course.
Gloria Allred. (September 13, 1990). Testimony before United States Senate Committee on the Judiciary.