“In men of genius, sterile years precede productive years, these again to be followed by sterility, the barren periods being marked by psychological self-depreciation, by the feeling that they are less than other men; times in which the remembrance of the creative periods is a torment, and when they envy those who go about undisturbed by such penalties. Just as his moments of ecstasy are more poignant, so are the periods of depression of a man of genius more intense than those of other men.”

—  Otto Weininger , book Sex and Character

Denn gerade die starke Periodizität des Genies bringt es mit sich, daß bei ihm immer erst auf sterile Jahre die fruchtbaren und auf sehr produktive Zeiten immer wieder sehr unfruchtbare folgen—Zeiten, in denen er von sich nichts hält, ja von sich psychologisch (nicht logisch) weniger hält als von jedem anderen Menschen: quält ihn doch die Erinnerung an die Schaffensperiode, und vor allem—wie frei sieht er sie, die von solchen Erinnerungen nicht Belästigten, herumgehen! Wie seine Ekstasen gewaltiger sind als die der anderen, so sind auch seine Depressionen fürchterlicher.
Source: Sex and Character (1903), p. 107.

Original

Denn gerade die starke Periodizität des Genies bringt es mit sich, daß bei ihm immer erst auf sterile Jahre die fruchtbaren und auf sehr produktive Zeiten immer wieder sehr unfruchtbare folgen—Zeiten, in denen er von sich nichts hält, ja von sich psychologisch (nicht logisch) weniger hält als von jedem anderen Menschen: quält ihn doch die Erinnerung an die Schaffensperiode, und vor allem—wie frei sieht er sie, die von solchen Erinnerungen nicht Belästigten, herumgehen! Wie seine Ekstasen gewaltiger sind als die der anderen, so sind auch seine Depressionen fürchterlicher.

Sex and Character (1903)

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austrian philosopher and writer 1880–1903

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“In men of genius, sterile years precede productive years, these again to be followed by sterility, the barren periods being marked by psychological self-depreciation, by the feeling that they are less than other men; times in which the remembrance of the creative periods is a torment, and when they envy those who go about undisturbed by such penalties. Just as his moments of ecstasy are more poignant, so are the periods of depression of a man of genius more intense than those of other men [Wie seine Ekstasen gewaltiger sind als die der anderen, so sind auch seine Depressionen fürchterlicher]. Every great man has such periods, of longer or shorter duration, times in which he loses self-confidence, … times in which, indeed, he may be sowing the seeds of a future harvest, but which are devoid of the stimulus to production.”

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“So far as one understands a man, one is that man. The man of genius takes his place in the above argument as he who understands incomparably more other beings than the average man. Goethe is said to have said of himself that there was no vice or crime of which he could not trace the tendency in himself, and that at some period of his life he could not have understood fully. The genius, therefore, is a more complicated, more richly endowed, more varied man; and a man is the closer to being a genius the more men he has in his personality, and the more really and strongly he has these others within him.”

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Einen Menschen verstehen heißt also: auch er sein. Der geniale Mensch aber offenbarte sich an jenen Beispielen eben als der Mensch, welcher ungleich mehr Wesen versteht als der mittelmäßige. Goethe soll von sich gesagt haben, es gebe kein Laster und kein Verbrechen, zu dem er nicht die Anlage in sich verspürt, das er nicht in irgend einem Zeitpunkte seines Lebens vollauf verstanden habe. Der geniale Mensch ist also komplizierter, zusammengesetzter, reicher; und ein Mensch ist um so genialer zu nennen, je mehr Menschen er in sich vereinigt, und zwar, wie hinzugefügt werden muß, je lebendiger, mit je größerer Intensität er die anderen Menschen in sich hat.
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