“The thing that I think very striking is that no one, or no one I can remember, ever writes of an execution with approval. The dominant note is always horror. Society, apparently, cannot get along without capital punishment—for there are some people whom it is simply not safe to leave alive—and yet there is no one, when the pinch comes, who feels it right to kill another human being in cold blood. I watched a man hanged once. There was no question that everybody concerned knew this to be a dreadful, unnatural action. I believe it is always the same—the whole jail, warders and prisoners alike, is upset when there is an execution. It is probably the fact that capital punishment is accepted as necessary, and yet instinctively felt to be wrong, that gives so many descriptions of executions their tragic atmosphere. They are mostly written by people who have actually watched an execution and feel it to be a terrible and only partly comprehensible experience which they want to record; whereas battle literature is largely written by people who have never heard a gun go off and think of a battle as a sort of football match in which nobody gets hurt.”

"As I Please" column in The Tribune (3 November 1944)<sup> http://alexpeak.com/twr/oocp/</sup>
"As I Please" (1943–1947)

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George Orwell 473
English author and journalist 1903–1950

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“The thing that I think very striking is that no one, or no one I can remember, ever writes of an execution with approval.”

George Orwell (1903–1950) English author and journalist

The dominant note is always horror. Society, apparently, cannot get along without capital punishment—for there are some people whom it is simply not safe to leave alive—and yet there is no one, when the pinch comes, who feels it right to kill another human being in cold blood. I watched a man hanged once. There was no question that everybody concerned knew this to be a dreadful, unnatural action. I believe it is always the same—the whole jail, warders and prisoners alike, is upset when there is an execution. It is probably the fact that capital punishment is accepted as necessary, and yet instinctively felt to be wrong, that gives so many descriptions of executions their tragic atmosphere. They are mostly written by people who have actually watched an execution and feel it to be a terrible and only partly comprehensible experience which they want to record; whereas battle literature is largely written by people who have never heard a gun go off and think of a battle as a sort of football match in which nobody gets hurt.
"As I Please" column in The Tribune (3 November 1944)<sup> http://alexpeak.com/twr/oocp/</sup>
As I Please (1943–1947)

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“When one listens to your speeches it sounds as if you had always fought against capitalism. The truth is that it was you who gave all the power to capitalism. In this republic capitalism has grown as it had never before. You can think about the old state as you will, one thing is certain: it was not as rotten as the one you brought about! …
What shall one say when Reich president Ebert in his letters addresses the Jewish scoundrel Barmat as "My dear Barmat" and closes with the greeting "Yours Ebert"? Despite all the veneration that I feel for this man, whom by the way I respect more as a master saddle-maker than as a Reich president, I simply have to be astonished. Gentlemen, where is the "beauty and dignity?"”

Julius Streicher (1885–1946) German politician

Wenn man Euch reden hört, dann habt Ihr immer den Kapitalismus bekämpft. In Wirklichkeit habt Ihr den Kapitalismus erst in den Sattel gehoben. In dieser Republik hat sich der Kapitalismus ausgewachsen wie niemals zuvor. Mag man über den alten Staat denken wir man will, eines steht fest: so verlumpt war er nicht wie der, den Ihr uns gebracht habt! …
Was soll man dazu sagen, wenn ein Reichspräsident Ebert den jüdischen Schurken Barmat in Briefen mit "Mein lieber Barmat" anredet und ihn am Schlusse mit "Dein Ebert" grüßt? Bei aller Ehrfurcht, die ich vor dem Mann habe, den ich übrigens als Sattlermeister weit mehr schätze denn als Reichspräsident, muss ich mich doch sehr wundern. Meine Herren, wo ist da "Schönheit und Würde"?
01/23/1925, speech in the Bavarian regional parliament ("Kampf dem Weltfeind", Stürmer publishing house, Nuremberg, 1938)

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“Prison teaches no good — and Siberia doesn't either — but another human being can . . . yes, a human being can teach another one kindness — very simply!”

Maxim Gorky (1868–1936) Russian and Soviet writer

The character "Luka" in The Lower Depths (1902) English translation by Laurence Irving (1912)
Context: Some one has to be kind, girl — some one has to pity people! Christ pitied everybody — and he said to us: "Go and do likewise!" I tell you — if you pity a man when he most needs it, good comes of it. Why — I used to be a watchman on the estate of an engineer near Tomsk — all right — the house was right in the middle of a forest — lonely place — winter came — and I remained all by myself. Well — one night I heard a noise — thieves creeping in! I took my gun — I went out. I looked and saw two of them opening a window — and so busy that they didn't even see me. I yell: "Hey there — get out of here!" And they turn on me with their axes — I warn them to stand back, or I'd shoot — and as I speak, I keep on covering them with my gun, first on the one, then the other — they go down on their knees, as if to implore me for mercy. And by that time I was furious — because of those axes, you see — and so I say to them: "I was chasing you, you scoundrels — and you didn't go. Now you go and break off some stout branches!" — and they did so — and I say: "Now — one of you lie down and let the other one flog him!" So they obey me and flog each other — and then they began to implore me again. "Grandfather," they say, "for God's sake give us some bread! We're hungry!" There's thieves for you, my dear! [Laughs. ] And with an ax, too! Yes — honest peasants, both of them! And I say to them, "You should have asked for bread straight away!" And they say: "We got tired of asking — you beg and beg — and nobody gives you a crumb — it hurts!" So they stayed with me all that winter — one of them, Stepan, would take my gun and go shooting in the forest — and the other, Yakoff, was ill most of the time — he coughed a lot... and so the three of us together looked after the house... then spring came... "Good-bye, grandfather," they said — and they went away — back home to Russia... escaped convicts — from a Siberian prison camp... honest peasants! If I hadn't felt sorry for them — they might have killed me — or maybe worse — and then there would have been a trial and prison and afterwards Siberia — what's the sense of it? Prison teaches no good — and Siberia doesn't either — but another human being can... yes, a human being can teach another one kindness — very simply!

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