“Voyaging into the night, one knows exactly where, on a known vessel, an absolute harmony with the elements of the unreal. [1959, reacting on a remark of Robert Motherwell ]”

— Ad Reinhardt

1956 - 1967
Source: Pax, no. 13, 1960; as quoted in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 152

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Ad Reinhardt 22

American painter 1913–1967

Ad Reinhardt (1913–1967) American painter

1959, reacting on a remark of Robert Motherwell
1956 - 1967
Source: Pax, no. 13, 1960; as quoted in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 152

“Robert Motherwell: Would you say that a fair statement of your position is that the 'meaning' of a work of art consists of the relations among the elements, and not the elements themselves?
Hofmann: Yes, that I would definitely say. You make a thin line and a thick line. It is the same with geometrical shapes. It is all relationship. Without all these relationships it is not possible to express higher art.”

Hans Hofmann (1880–1966) American artist

Interview in Modern Artists in America, First Series (1952), ed. R. Motherwell, Ad Reinhardt, and B. Karpel, p. 19, 39
1950s

“Sonorous immensity of the seas of Harmony
Where dreams like ships that shake in the profound,
Voyage to the unknown, their sails bent to infinity,
Billowing with anguish in the gusts of Sound.”

Stuart Merrill (1863–1915) American poet, who wrote mostly in the French language

Sonore immensité des mers de l’Harmonie,
Où les rêves, vaisseaux pris d’un vaste frisson,
Voguent vers l’inconnu, leur voilure infinie
Claquant aven angoisse aux bourrasques du Son!
"Pendant qu’elle chantait", from Les gammes, translated by Catherine Perry and Henry Weinfield in The White Tomb: Selected Writing, Talisman House, 1999.

“Oh, her heart’s adrift with one
On an endless voyage gone!
Night and morning
Hannah’s at the window binding shoes.”

Lucy Larcom (1824–1893) American teacher, poet, author

"Hannah Binding Shoes".
Poems (1869)

“One thing about which fish know exactly nothing is water, since they have no anti-environment which would enable them to perceive the element they live in.”

Marshall McLuhan book War and Peace in the Global Village

Source: War and Peace in the Global Village

“Piece by piece, I fed my wardrobe to the night wind, and flutteringly, like a loved one’s ashes, the gray scraps were ferried off, to settle here, there, exactly where I would never know, in the dark heart of New York.”

Sylvia Plath book The Bell Jar

Source: The Bell Jar

“One knows quite well that harmony can be a harmony of appearances”

Paul Karl Feyerabend book Science in a Free Society

pg 51.
Science in a Free Society (1978)

“He is a stranger to me, but he is a most remarkable man — and I am the other one. Between us, we cover all knowledge; he knows all that can be known, and I know the rest.”

Mark Twain (1835–1910) American author and humorist

Statement (1906) in Mark Twain in Eruption: Hitherto Unpublished Pages About Men and Events (1940) edited by Bernard DeVoto

“[W]omen under phallocratic rule are confined to the role of vessels/carriers, directed and controlled by men. Since that role is the basic base reversal of the very be-ing of Voyaging/Spiraling women, when we direct our own Crafts/Vessels we become reversers of that deadly reversal.”

Mary Daly (1928–2010) American radical feminist philosopher and theologian

Source: Gyn/Ecology: The Metaethics of Radical Feminism (1978–1990), p. xxvi (New Intergalactic Introduction).

“One comes to bless the absolute bareness, feeling that here is a pure beauty of form, a kind of ultimate harmony.”

George Mallory (1886–1924) British mountaineer

Letter to his wife Ruth Mallory (1921), acquitted in Everest: The Mountaineering History‎ (2000) by Walt Unsworth, p. 47; also The Wildest Dream: The Biography of George Mallory (2001) by Peter Gillman and Leni Gillman, p. 13

“Voyaging into the night, one knows exactly where, on a known vessel, an absolute harmony with the elements of the unreal. [1959, reacting on a remark of Robert Motherwell ]”

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