 
                            
                        
                        
                        Source: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 120
            Quote, Jan. 1921, to journalist Marcel Pays. Monet in the 20th Century, by Paul Hayes Tucker. 
1920 - 1926
        
Source: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 120
                                        
                                        Quote of Nolde, 1906 in Jahre der Kämpfe (The years of struggles); as cited by Francesco Mazzaferro in  'The Diaries of Paul Klee' - Part Three: Klee as a Secessionist and a Neo-Impressionist Artist http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev.html 
1900 - 1920
                                    
                                        
                                        (original Dutch, citaat van B.C. Koekkoek:) Ik bepaal dadelijk en voor vast [nadat ik een schilderij begin] het effect van zonlicht, dag en schaduw, zonder mij met eenige uitvoerigheid op te houden. Hierdoor ben ik in staat gesteld, om in mijne aangelegde schilderij een geheel, dat mijn geest reeds vóór dat ik begon te arbeiden zag, binnen korten tijd op het paneel of doek te zien, en over de harmonie de zamengestelde voorwerpen en kleuren te kunnen oordelen.. 
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 99:
                                    
                                        
                                        Quote of Camille Pissarro, in a letter, Eragny, 25 February 1887, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 100 
1880's
                                    
Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. 9 : 'Notes from 1969'
                                        
                                        In a letter to William Milliken (1930), quoted in Portrait of an Artist: A Biography of Georgia O'Keeffe, Laurie Lisle (1981), p. 128 
1930s
                                    
                                        
                                        Then he died. He worked to the very last minute. 
As quoted in Paper Lanterns (Quotations from The Sun) p. 59.
                                    
Source: The Life of a Painter - autobiography', 1946, p. 53; as quoted in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003.
                                        
                                        4 quotes from: 'The Color in my Painting' 
Homage to the square' (1964)
                                    
 
                            
                        
                        
                         
                            
                        
                        
                         
                            
                        
                        
                         
                            
                        
                        
                         
                            
                        
                        
                        